Ceramics Monthly Articles (Simple)

Earthenware clay serves as the base layer of Shanna Fliegel’s dynamic, collaged illustrations.

Over 375 artists submitted work for our annual readership-wide competition. The selected artists interpreted the theme in many ways: exploring the potential of materials through experimentation, worki

Information on submitting work for exhibitions, fairs, and festivals.

Water damage to this potter’s studio space cost him valuable production time for necessary repairs and taught him a tough lesson on the importance of having (and understanding) adequate studio insuran

Plasticity is a sought after characteristic in clay bodies, but too much plasticity often leads to troublesome issues with clay memory. Learn how to predict and manage memory to prevent warping prior

When talking to customers about his work, Jim Smith discusses the inspiration and processes that went into making the pieces. He also suggests uses, recipes, and food pairings to encourage those who l

Branan Mercer worked toward finding a personal style through a process-driven approach. He stripped away ornamentation and focused on minimal and Mid-Century Modern–inspired forms, then slowly added i

Balancing the demands of teaching K–12 arts and a personal studio practice is a challenge. However, these pursuits can be gratifying and complimentary through trial, error, compromise, and focus.

Canadian artist James Marshall has created over 300 carved-brick murals in his decades-long career. His practice incorporates drawing, designing, engineering, and, of course, working with clay, to dep

The vibrant surfaces on Arthur Halvorsen’s terra-cotta vessels and plates include layers of imagery that create a symbolic personal narrative that references family, friends, and influences ranging fr

Working with colorful slips applied to terra-cotta clays, Gabo Martini carves floral motifs and text onto her pots. These surfaces share the joy of her heritage as well as allowing self expression, se

After working in community spaces for many years, McHenry moved into a purpose-built, quiet, energy-efficient, and light-filled studio just 50 feet from her back door.

Opening their new studio to the public through sales and classes has connected Martha Grover and Joshua Rysted with their community and, in turn, has given community members a deeper appreciation for

After hours of phone calls, researching, and tracking, Jack Troy shares this lament and advice on shipping one-of-a-kind works of art.

Images from Current and Upcoming Exhibitions

So, it finally happened. You have spent years practicing and perfecting your art and not only are you selling your work, but you are also making a profit. After celebrating a job well done, you file y

This issue features our annual readership-wide contest, “Grounded” and our focus on artists using low-fire red clay. As we compiled the issue, I started to think about what influences each of us as ar

Information on submitting work for exhibitions, fairs, and festivals.

When used in combination as described in Mark Chuck’s process article, these recipes develop surfaces that capture the visual effects of fish and splashing water.

Studio Visit artist Patrick Coughlin and Working Potters Beth Bolgla, Dan Finnegan, and Mizuyo Yamashita share the recipes that lend their ceramic surfaces richness and warmth.