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It Started Out of a Guilty Pleasure""Even though Lars Voltz loves the versatility a pitcher offers him as a ceramic maker, he admits he has never made one he loves. so, in order to investigate the form more quickly and explore various ou
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Ibrahim Said: A Life of MakingIbrahim Said's formative clay classroom was very different from that of many ceramic artists. Said grew up in Cairo, Egypt, and learned pottery production from his father starting at the age of six. F
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Recipes: Eye-Catching GlazesEye-catching glaze recipes
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Call for Entries: April 2018Information on submitting work for exhibitions, fairs, and festivals.
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Spotlight: Reimagining Reitz RanchSheryl Leigh-Davault shares her experience with purchasing and taking over Don Reitz' studio, home, and property, including the Reitzagama wood kiln. The kiln was recently fired for the first time sin
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From the Editor: April 2018Letter from the Editor
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Quick Tip: Kiln MonitorQuick tip for your studio and firing in your kiln.
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Paula Shalan's Primal Elegance and Earthy RefinementShalan combines handbuilding techniques with burnished terra sigillata, bare clay, and pops of underglaze color in her work. The smoke firing process and careful groupings of forms convey her studies
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March 2018 Call for EntriesInformation on submitting work for exhibitions, fairs, and festivals.
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Recipes: Cone 04 Slip and GlazeCone 04 slip and glaze recipes shared by Jason Green.
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Tips and Tools: Forming CoilsCoils don't have to be round and uniform. Thoresen explains how to make flat and triangular-shaped coils and the situations in which each type can be used.
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Ebullience and Gusto with Carol GouthroEmploying two simple plaster molds and a variety of handbuilding techniques, Carol Gouthro creates an astonishing array of organic sculptural forms.
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Techno File: Carbon TrappingShino glazes are incredibly technical and complex, with a wide range of colors. While they have been one of the most popular glazes used throughout ceramic history, they still remain widely misunderst
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Curtis Benzle: A Visit with BeautyBenzle uses light, color, and pattern (created through nerikomi techniques) to create pieces that shift and change based on the time of day and setting, and that reward the careful observer.
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Working with Ash in GlazesAn abundance of free wood ash from summer bonfires led Clausen to explore various ways to use this variable flux material in (and over) glazes.
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An Unmistakable Humanity: Jason GreenRenovating a 250-year-old house set Green down a path he is still exploring to this day: one focused on architecture, design, and the memories held within structures.
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Studio Visit: Gail Russell, Sunbury, Ohioin 2013, after 27 in a converted barn studio, Gail Russell and her fiancé purchased a property and along with it established a new studio space and gallery just outside of Columbus, Ohio.
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Spotlight: Drawn to LearningAaron Winston's career path has taken him from two-dimensional art through to industrial design and working as a director at a community-focused ceramics center.
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Rose Cabat, That Would Look Lovely in a Cobalt.""Rose Cabat, best known for her small vessels–known as Feelies–with soft, satiny glazes that invite viewers to touch them, worked in clay for over 50 years. The spare forms and jewel-like glazes she de
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A Journeyman PotterWhat is a journeyman potter? Jared Zehmer, who works as one in Seagrove, North Carolina, explains the gig that lets him travel to different shops in the area and make pots for them.
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