Ceramics Monthly Articles (Simple)

  • Clay Culture: Toronto City Guide
    Canadas largest city is home to a thriving and welcoming community of ceramic artists. Local author and artist Heidi McKenzie shares places not to be missed when you visit.
  • From the Editor: December 2017
    Letter from the Editor, function and process.
  • Exposure: December 2017
    Images from Current and Upcoming Exhibitions
  • Spotlight: Artists and Entrepreneurs
    Learn what drew Anthony Schaller and Brittany Stecker Mason to gallery work as a career path and what continues to inspire and drive the duo at Schaller Gallery in St. Joseph, Michigan.
  • The Pelagic Worlds of Eva Kwong
    Most of the universe is too big or too small for us to appreciate directly. Aside from mere samples delivered to us by electron microscopes or NASA’s Hubble telescope, we remain unconscious of the vig
  • Techno File: Rare Earths at Cone 6
    There are a variety of rare earth metals—28 of them in the lanthanides and actinides, to be exact—and many are either too expensive or radioactive, to incorporate into a glaze. The actinides are all r
  • Tips and Tools: Firing on the Rim
    Over the last 26 years, I’ve successfully bisque fired plates and platters of many sizes and weights on their rims. The technique of stacking wheel-thrown dinner plates on their rims in a vertical for
  • Building a Jar
    I had the opportunity to help build and decorate a large, traditional jar with French artist Pietro Bruzzi, who is known as Pierrot. He is a third-generation potter in the town of Vallauris in the Sou
  • Recipes: All-Purpose Slip
    Eva Kwong and Kirk Mangus’ slip recipe works in a wide range of firings from electric to atmospheric.
  • November 2017 Call for Entries
    Information on submitting work for exhibitions, fairs, and festivals.
  • Clay Culture: Minneapolis–St. Paul City Guide
    It doesn’t matter if you are local and are looking to rent studio space or are planning on visiting and seeing shows, the Twin Cities have a lot to offer to ceramic artists.
  • From the Editor: November 2017
    I remember the first time that I looked at a piece by Ron Nagle and really started to engage with it. I was reading the book Color and Fire: Defining Moments in Studio Ceramics 1950–2000 by Jo Lauria,
  • Exposure: November 2017
    Images from Current and Upcoming Exhibitions
  • Clay Culture: Populace
    The Ottawa Guild of Potters presented Populace, a ceramic art installation that marked Canada’s 150th year as a nation, acknowledging the three main cultures present in the Ottawa area at the time of
  • A Gradual Transition
    After a few years, I dropped out of class, but continued taking workshops while still an active architect. My most influential teachers were Harriet Ross, who encouraged my handbuilding, Peter Callas
  • Studio Visit: Fiorenza Pancino, Faenza, Italy
    I searched for my current studio for a long time and have been working there for two years. I wanted it to be in the old town of Faenza, to be bright and visible from outside, while also having a priv
  • Beginning of Exploration: Bruce Cochrane
    From the moment he pinched his first bowl more than 40 years ago, Bruce Cochrane has been enamored with functional pottery, and particularly with the wheel. But during a trip to Italy in the 1980s, Co
  • Really I Just Make Stuff"–Ron Nagle"
    Ron Nagle’s work is nothing less than astonishing—simultaneously odd and beautiful, it seamlessly incorporates multiple aspects; the grotesque, elegant, crude, erotic, psychedelic, intimate, humorous,
  • October 2017 Call for Entries
    Information on submitting work for exhibitions, fairs, and festivals.
  • Exploring Function through Sculptural Forms
    During graduate school, my work was predominantly sculptural. Near the end of my studies, I became more drawn to sculptural vessels; I found that they could carry the content investigated in my previo