Ceramics Monthly Articles (Simple)

  • Akiko Hirai: Forming Connections
    A move from Japan to London marked the beginning of a career in ceramics for Akiko Hirai. Her background in psychology and a desire for engagement make her work resonant and interactive.
  • Studio Visit: James Simon, Pittsburgh, Pennsylvania
    My studio on Gist Street was love at first site. My friend Rick and I were driving around Pittsburgh, Pennsylvania, neighborhoods, checking out interesting buildings and there it was. Formerly a junky
  • Clay Culture: Phoenix City Guide
    Whether you’re planning to visit (or move to) the Southwest to avoid the winter in colder climes or you’re looking for a ceramics-focused travel adventure, Phoenix, Arizona, should be at the top of yo
  • Clay Culture: Peace is...Coexistence
    “Peace is . . .” is a project organized by the Permanent Mission of Japan to the United Nations that highlights peace and togetherness through a series of events focusing on culture and art that are s
  • Clay Culture: National Clay Week
    The founders of National Clay Week (NCW) had a vision—to create an online framework where the ceramics community could engage in a celebration of all facets of clay. Every March we gather in a city in
  • Exposure: November 2018
    Images from Current and Upcoming Exhibitions
  • From the Editor: November 2018
    November 2018 From the Editor
  • Quick Tip: Preventing Excess Glaze in a Teapot Spout
    The next time you’re preparing to glaze teapots, stop by your local hardware store on your way to the studio and pick up some foam earplugs.
  • Beate Kuhn: So Much Energy Packed Into Such a Small Space
    Images of nature are always metaphorical and symbolic; they represent the complex relationship between humans and their environment. German artist Beate Kuhn’s work blends the biological world with th
  • Spotlight: Retail Therapy
    YehRim Lee's installations examine consumer culture through the lens of personal experience.
  • Tips and Tools: L-Shaped Test Tile
    I have been testing glazes for many, many years and have either developed all of my own glazes or adjusted others to suit my glaze application methods and firing schedules. I prefer to use this L-shap
  • Call for Entries October 2018
    Information on submitting work for exhibitions, fairs, and festivals.
  • Techno File: Flat-Top Roof Repair
    The flat-top kiln design has been around for decades. It typically uses two fuel-fired burners located near floor level, one on each side of the flue exit, firing toward the front of the kiln. Larger
  • Gallery Guide 2019
    Planning a trip to a new city? Want to find inspiration or something new for your collection? Find venues that love ceramics as much as you do in our annual Gallery Guide listing.
  • The Fabric of Our Lives
    The use of functional objects provides opportunities for memorable moments, whether it is a vase filled with freshly picked flowers, or a platter used to share a meal. These moments can stem from obje
  • Gina Etra Stick: Limitless Meanings
    Gina Etra Stick is somewhat of an enigma. She has been working full time as a ceramic artist for the past three years—a nanosecond relatively with respect to a career—yet she has burst onto the intern
  • Tip Toland: Fall Out
    Despite an overly theatrical installation with darkened walls, professional pool lighting and plinths and pedestals of varying heights, the collective force of Tip Toland’s recent sculptures outweighs
  • Stephen Heywood: Naturally Manufactured
    At first glance, Stephen Heywood’s emphatically industrial wheel-thrown ceramic vessels appear quite the opposite of everything we might associate with handcrafted pottery. These small-scale works see
  • Studio Visit: Scott Jelich, Anchorage, Alaska
    I currently make my work in Rabbit Creek Studio in Anchorage, Alaska. The studio is owned by my friend, Kim Nelson, and is built onto the back of her home. I pay a modest monthly rental fee for a work