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Studio Visit: Melissa Mencini, Austin, TexasAfter more than a decade of shuffling from studio to studio with each change in job or residency, Melissa Mencini has planted her practice, with a dedicated studio space and kiln shed right in her bac -
Clay Culture: Rat Trap Clay ClubFor this group of artists, the strong sense of community developed through collaboratively making work has proven more important than the resulting objects. -
Quick Tip: Consistent and Efficient HandlesIf consistency is something you’re looking for in your mugs, having plaster forms for both your mug body and your handle will make life much easier. The two of us at SVEN Ceramics make more than 1000 -
From the Editor: December 2019Ceramic artists’ careers can consist of many different components that shift in prominence and relevance over time. One option that has started to factor as a larger percentage of annual income for a -
Exposure: December 2019Images from Current and Upcoming Exhibitions -
Spotlight: Struggle and TriumphWesley Brown describes the shifts major depressive disorder caused in his life and studio. Seeking help and piecing himself back together have led to a new body of work that is reflective of his life -
Call for Entries: November 2019Information on submitting work for exhibitions, fairs, and festivals. -
Recipes: More is MoreDick Lehman, Lisa Orr, and Stephanie Wilhelm embrace the more-is-more approach with the help of these glaze recipes. -
Techno File: Tenmoku to Tomato RedDo you ever wonder how a glaze can completely change color with the adjustment of a single ingredient? Take a deeper look at some of the causes, using the transition from tenmoku to tomato-red glazes. -
Tips and Tools: PVC Chuck SystemBottom-heavy, wheel-thrown forms or those with long necks pose a particular challenge when it comes time for trimming. Simplify the task with this versatile system. -
The Geometry of UrbanityFacets and undercuts inevitably lead to complicated molds when slip casting. Walk through the process, step by step, of creating and using a five-part mold for a clean-lined, city-inspired pouring ves -
Beyond the ScreenAn exhibition of work by a number of sculptors and potters at the CLAY Museum of Ceramic Art Denmark in Middelfart, Denmark, explores physical ceramic objects in the age of online images and virtual e -
Place and Identity: Gukki Nuka and Kristine Spore KreutzmannThese two Greenlandic artists share a focus on expressing their Inuit heritage through the forms and materials of their respective ceramic vessels, sculptures, and tile murals. -
Andrew Matheson: Changing FocusAfter spending 40 years focused on form, Andrew Matheson has shifted to exploring a variety of decoration techniques on the surfaces of his blue-and-white and shino-glazed pots. -
Boyan Moskov: Aesthetics Over UtilityFrom the pit-fired surfaces of African pottery to the simple lines of classical Greek forms, Boyan Moskov harmonizes a range of influences to create minimal, dramatic sculptural vessels. -
A New Sense of Freedom: Prue VenablesPrue Venables’ nuanced and meticulous work stems from her experiences as both a musician and potter, her travels and observations of various cultures, and her focus on the way things interact. -
Exposure: November 2019Images from Current and Upcoming Exhibitions -
Clay Culture: Burnt TrunksOn a spontaneous visit after noticing the handmade vessels that decorated Flatdogs Camp, Craig Hinshaw met Eness Ngulube, a Zambian potter who shared her practice and perspective on pottery in her com -
Studio Visit: Ashwini Bhat, Petaluma, CaliforniaA Bay Area studio in a community makerspace, complete with a boldly customized and branded kiln shed, serves as the workspace for sculptor Ashwini Bhat. -
Clay Culture: More or LessFrom brown to bling, the spectrum of ceramic aesthetics—and possibilities—is vast, rich terrain at the disposal of artists of every generation working today.
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