Ceramics Monthly Articles (Simple)

  • Clay Culture: Plate Project
    Clementine Ceramics' Plate Project lets kids in their community help those facing food scarcity by decorating plates that are then shown and auctioned off in a local gallery, with proceeds going to th
  • Clay Culture: Vessels For Change
    What started with one new citizen's aim to help others has expanded to include over 60 artists and local brewery collaborating on a charity auction. The group made, decorated, and sold 100 mugs, gener
  • Exposure: March 2018
    Images from current and upcoming exhibitions
  • Quick Tip: Tip Jar
    Quick tip to spread the word and get your name out there.
  • From the Editor
    Letter from the Editor
  • From the Editor: February 2018
    If you want to have a successful experience selling your work, starting a community studio, or taking on a large project for the first time, it helps to have a business plan. If you want to be a full-
  • Techno File: Using Eutectics
    One of the most interesting aspects of eutectics isn’t how they melt, but how they solidify. When a eutectic mixture cools from the molten state, the individual components all stay molten together unt
  • EuCal Eutectics Spreadsheet Download
    EuCal Eutectics Spreadsheet Download
  • Clay Culture: Creating Comfortably
    Within one session or over the years, we can work our backs, limbs, and joints in positions that can cause stress and strain. Maintaining a neutral posture is important because if you respect the way
  • Clay Culture: From Broken Pots...To Broken Hearts
    Everything is relative! I am thinking this as I sit down to write about the loss of a piece of pottery and the heartbreak it brings. And with the political, economic, environmental, and social news ea
  • Lessons Learned Over Time
    As a full-time working potter since 1976, I have had my share of successes and failures over four decades of making and selling functional wares. Here are some tips and examples from my experience.
  • Exposure: February 2018
    Images from Current and Upcoming Exhibitions
  • Clay Culture: Influencer Marketing
    Social media is a big part of our world these days. It has been a huge boom for many emerging artists who are building networks, trying to share new work, and maybe, just maybe, trying to make some sa
  • Retirement, Meaning, and Generativity
    Another generation of American clay artists is approaching age-out—the end of their careers. Because it’s our first time to retire, we may not know how to do it. We could benefit from a few more posit
  • George Rodriguez: Sanctuary
    Sanctuary. I used to associate the word with church, all stained glass and high ceilings. It evoked thoughts of Victor Hugo’s hunchbacked bell-ringer Quasimodo valiantly rescuing the gypsy Esmeralda f
  • The Venus: A Legacy in Clay
    I visited George Rodriguez in his studio shortly before his 2017 solo show for Foster/White Gallery in Seattle, Washington. A piece that stood out amongst his sculptures was The Venus. A couple of wee
  • Crowdfunding
    Funding in the arts is a constant topic of discussion for many, especially for individual artists, independent galleries, museums, and community art centers. Even though a rare few are self funded, mo
  • Joan Takayama-Ogawa: Climate Change
    Global warming’s effect on the planet has been a driving theme in Joan Takayama-Ogawa’s creative career for more than a quarter century. Her past work is best described as exquisitely crafted sculptur
  • Clay Culture: Skincare for Potters
    It’s the middle of winter. You’ve just unloaded a very toasty (hot) kiln to get ready for a show after weeks of long days working with wet clay, abrasive bisque, and buckets of glaze. Your skin needs
  • A Portrait of Daily Life
    My ceramic work acts as a portrait of daily life. The porcelain forms are illustrated with narrative drawings and observations of my local environment. By showing details of the day that can often be