Ceramics Monthly Articles (Simple)

Ryan Coppage and Julia Krichev discuss the history and modern influence of Oribe ware, the 16th–17th century Japanese ceramic style known for its vibrant green glaze and irregular forms.

An updated building on her property in the woods of Vermont serves as the bright and organized workspace for Jodie Masterman’s pottery practice.

In the face of limited options for showing and selling work, Good Habit Pottery Company was established to showcase the work of emerging ceramic artists.

Current and Upcoming Exhibitions

As potters, I feel like we’re always trying to create our own tools as a workaround to the real deal.

In this issue, we highlight ceramic artists whose processes and finished products stand out and share just how they arrived at their methods.

Looking for advice and tips on designing a studio space for efficiency, clarity, and inspiration? Check out how Kim Mitchell transformed her two-car garage.

This issue is focused on the tools, skills, and resources artists employ to make ceramics. Ryan Coppage makes a case for

Deadlines for exhibitions, fairs, and festivals

Combing and layering various glazes can be tricky to avoid running, crawling, and other surface flaws. But, with advance testing and experimentation, the results can be stunning.

Yes, glazing can be a daunting task, but it can also be a lot fun and very rewarding, when you allow yourself some time to experiment with layering combinations.

Drawing from influences including Scandinavian, German, and East Asian ceramics, Barbara Lormelle’s work embodies simplicity in form, with a particular focus on glazing techniques that explore depth, translucency, and color.

Nina Gerada, a Maltese artist, blends ceramics, sculpture, and installations to explore themes of memory, place, and the natural world.

Jenny Sabin’s PolyBrick series redefines ceramics in architecture through 3D printing, bioengineering, and digital design, creating adaptive, sustainable, and responsive clay components that merge art, science, and architecture.

Katie Rose Johnston’s MANIFESTO studio blends nature, history, and function into ceramics inspired by Scotland’s rugged landscapes and archaeological heritage, celebrating handmade craft, foraged materials, and their power to connect past and present.

A child of North African refugees, Yael Braha’s journey from graphic design and filmmaking to ceramics reflects a life shaped by relocation and transformation. Her work explores themes of impermanence, process, and the search for a sense of home.

For functional forms adorned with brushwork motifs, Kyla Strid opts for either a glossy or satin-glazed surface. Below are the two recipes she uses to make them.