Ceramics Monthly Articles (Simple)

Both the design and conceptual meaning are shaped by an in-depth study of women depicted in 17th-century historical paintings. Through sketches, I give these figures a new, contemporary meaning and place them in a modern context.

Inspiration for my surfaces comes from objects that carry a sense of history, nostalgia, and comfort.

My interests at the time influence the direction the piece takes, whether from art history, books, or personal experiences. I keep albums of pictures from history and everyday life that often become reference imagery for pieces.

Every piece I create is an opportunity to learn, and that continuous exploration is one of my greatest motivations.

Instruments can be made out of all sorts of materials, including clay. Such ceramic instruments can still be found in use in the porcelain capital of Jingdezhen.

Current and Upcoming Exhibitions

Water etching is a greenware surface treatment used to create relief. A water-resistant material is applied to greenware and allowed to dry.

In this May issue, I am thrilled to present the 20 finalists of Ceramics Monthly’s 2025 Emerging Artist contest.

Linda Southwell’s quiet sculptures reflect her passion for the natural world and concerns for the trajectory of the environment.

Marked by vibrant colors, rich textures, multi-media components, and engaging narrative, the sculptural work of Emily Counts is full of contrasts.

Teegan and Jeff Nordhues established Pax Lighting in Nebraska with skills and professional experience in furniture manufacturing and corporate design.

Make the most of materials you have by pushing the limits of their standard use. Here, Rhonda Willers experiments with terra sigillata.

Building a successful slip-casting body requires the proper selection of materials and the correct ratio between plastic and non-plastic materials.

Often depicted with figures, cacti, and animals, Wesley Anderegg creates humorous but serious sculptures and illustrated vessels that center on personal, human perspectives and politics.

Recently settling into a bigger studio has allowed Molly Anne Bishop to lay out her space to better balance creative and business tasks, support ceramic works in progress, and allow her to stay connected to her community.

Nestled in the Blue Ridge mountains, The Center for the Study of Figurative Ceramics is a haven for those looking to develop and push their technical skills and anatomical prowess.

Achieve highly fluid movement, rich crackling, and dimensional drips at cone 04 with the following glaze and slip recipes pulled from our archives.

The following archive recipes lend bright, reliable surfaces to functional and non-functional forms at low temperatures. Go for rich color and varied finishes with the terra sigillata and glaze recipes shared here.