Ceramics Monthly Articles (Simple)

Learn a new method for creating and controlling crawling glazes.

In the event of a kiln disaster, such as an arch blowing out, first assess the damage, then determine the cause. Next, put any necessary safety protocols in place to prevent recurrence, and, finally, start rebuilding.

Two of Ceramics Monthly’s 2026 Emerging Artists share a handful of recipes from their studios to help you achieve their rich, soft, and textural fired surfaces.

Deadlines for exhibitions, fairs, and festivals.

This is a trimming technique I like to introduce to beginning students as they learn to throw and trim.

I often process and preserve my experiences in my work. I aim to highlight small moments and memories, and capture a sense of place, emotional truth, and wonder.

My ongoing collaboration with the material continues to invite moments of patience, curiosity, consideration, and grace.

In a long career, our work, our lives, and the energy and composition of our field change so much. Jonathan Kaplan discusses how he works to stay engaged and invigorated in his practice.

Jeanine Pennell invites us into her living room studio, where she builds work, connections with her community, and a growing collection of whimsical characters all her own.

Artist Shae Bishop creates ceramic garments inspired by historical lamellar armor. Blending fashion, identity, and protection, his wearable sculptures explore masculinity, environment, politics, and personal mythology through clay clothing.

From her earliest moments, Misty Gamble has been surrounded by the communicative power of the figurative object.

Edmund de Waal’s “the eight directions of the wind” spans gallery and gardens, using porcelain, text, and architecture.

Curated by Martina Lantin for NCECA 2025 in Salt Lake City, “Beacon,” highlights artists who “hold the light” through activism and vulnerability.

Mayumi Makino Kiefer shares her thoughts and techniques on throwing and altering a large vessel into a bell jar, which is inspired by a Buddhist Temple Bell.

Want to try a different firing type, learn some new glazing techniques, meet fellow ceramic artists, or just get away and immerse yourself in a week or two of all-day, hands-on clay making?

Most of us know that we need to remix our shop glazes every time we use them, but did you know that most of us are not mixing them enough? Learn the science behind a better mixed batch.

Reds can evoke passion, caution, and good fortune, among other things—they vibrate and draw us in. Whether you drench your work or use it sparingly for emphasis, these recipes are sure to bring energy to your next firing.

Protecting our bodies as we work is key to longevity in the studio. Whether you prefer throwing while standing, sitting, or a mix of both, this tool can enable your wheel to be fine-tuned to fit your needs.

Deadlines for exhibitions, fairs, and festivals.

Katy Stubbs’ practice oscillates between 2D and 3D, but a keen eye for observation, humor, and the magic of the detail are always present.