Ceramics Monthly Articles (Simple)

Working at a variety of scales, James Oughtibridge creates abstract sculptures in raw clay characterized by fluidity and movement.

Deadlines for exhibitions, fairs, and festivals.

Make an underglaze stamp pad using a small container, quilting foam, and underglaze to add repeatable designs to your surface repertoire.

Brittany Mojo makes ceramic objects that investigate concepts of women’s work, grief, play, and the in between in a practice that pairs material exploration and reflection through writing.

Since José Sierra’s Ceramics Monthly Working Potter feature in 2017, his work has become more sculptural, larger in scale, and, after returning to New Mexico, especially influenced by the spirituality of the high desert.

Why go to the effort of calcining your kaolin? If your glaze or kiln wash recipes contain too much uncalcined clay, the glaze may crawl and the kiln wash could crack off.

The recipes shared below from Ray Brown and Maya McNicoll work in the potters’ practices to develop layers of surface information for functional, visually compelling pots.

Current and Upcoming Exhibitions

Jean White, an award-winning ceramic artist based in the UK, focuses on creating pieces that raise awareness about critically endangered bird species, merging her passion for clay with an interest in birdwatching.

Originating from Japan’s Edo period, maneki-neko dolls, also known as lucky cats, embody good fortune with various legends surrounding their creation.

Starting with humble beginnings in a basement studio, Sam Taylor learned from experienced colleagues and friends, leading to a lifelong passion for pottery.

Dendritic slip decoration is a delicate, fine-lined slip pattern that looks like a complex series of tree branches or seaweed. Learn the science behind the process, then discover how to try it on your own.

Rich Brown highlights the importance of connection in his studio practice, leaning on fellow artists for inspiration, technical advice, and mentorship, showcasing the collaborative and supportive spirit within the ceramic arts community.

Marney McDiarmid’s studio in Kingston, Ontario, nestled in a renovated garage overlooking a downtown park, blends nature, community, and creativity.

Deadlines for exhibitions, fairs, and festivals.

After extensive sailing, Tanya Gomez discovered parallels between the sea’s fluidity and clay’s adaptability.

For Matias Braun, establishing a studio was a conscious decision to prioritize quality of life and creativity over financial success.

Looking for a weathered, crackle surface? Check out Sam Taylor’s slips for atmospheric firing. Inspired by potters who use local materials? Read how Matias Braun uses materials sourced near his studio in Costa Rica.

Akira Satake shares his journey from a career in music to one as a full-time potter, emphasizing the benefits of experimentation, embracing mistakes for creative growth, and the usefulness of adapting to industry shifts.