Ceramics Monthly Articles (Simple)

  • Studio Visit: Theo Helmstadter, Green River Pottery, Santa Fe, New Mexico
    I have always lived as physically close to my studio as possible. I know that for health reasons you’re not supposed to live inside it—but for creative purposes, the closer the better, and if you eat,
  • Clay Culture: Ayutthaya
    With a multi-ethnic population consisting of over 40 ethnic groups, including Chinese, Japanese, Portuguese, and Dutch, it is one of the best examples of the advantages of social diversity in the anci
  • Clay Culture: Neighborhood Show
    The show brings together artists who live and work in a two-county area of western North Carolina, which is close to Penland School of Crafts. A majority of these exhibitors work and support themselve
  • Exposure: September 2018
    Images from Current and Upcoming Exhibitions
  • Quick Tip: Sponge Brush as Palette and Cleanup Tool
    I was recently working on a project that needed accented, inlaid lettering, as well as lettering brushed over top of slip using a commercial stain. Using a #1 and a #0 brush, I worked on a piece of bi
  • From the Editor: September 2018
    Need a jump start to generate ideas in the studio after a summer break, or to find an accessible way to explore new glazes or techniques? I’d suggest making some cups and mugs.
  • June/July/August 2018 Call for Entries
    Information on submitting work for exhibitions, fairs, and festivals.
  • Spotlight: Studio Balance
    My projects influence my demonstrations for the advanced students. While there isn’t a direct influence on my forms, the energy in the space definitely creates a momentum for everyone there.
  • 2018 Working Potters' Recipes
    Recipes from our working potters.
  • Techno File: Geography Matters
    The point of all this is clays, as well as other ceramic materials, are naturally occurring. Their history is almost always long, complex, and unknown to us. Knowing something about the minerals they
  • Tips and Tools: Waste into Want
    We use a hexagonal wooden template to create the original clay paver models. After the original is leather hard we cast it in plaster. Once the plaster is completely dry and cured, our molds are ready
  • Expectant Pitchers
    These pitcher forms began as a tribute to my wife and daughters. With the baby years in the rear view mirror for our family, I can better reflect on what transpired within our home during that season
  • Be Still, My Beating Heart: Morandi and de Waal
    One arrives by ferry. The dark pines rise up from the water’s edge, sheltering from view the light-filled art museum at the top of the hill: Artipelag—its name an amalgamation of Art, Activities, and
  • Considering Chato: Utakata
    The word chato literally means Japanese tea-ware ceramics. Sado, the Way of the Tea, is based on Zen philosophy and shows the path to the ultimate spirit of Japanese hospitality. Even though the pract
  • Working Potter: Hyu-Jin Jo, Seoul, South Korea
    Originally, I only wanted to use the potter’s wheel and sculpt pieces in clay using handbuilding techniques, but after graduation from Staffordshire University in the UK, I wanted to learn more about
  • Working Potter: Jo Severson, Clearwater, Minnesota
    Making things by hand is an amazing way to make a living! I find inspiration in the fact that my pots will be put to use in the simple traditions of everyday living, such as setting the table, sharing
  • Working Potters: Christoph and Ines Hasenberg, Siegburg, Germany
    The decision to settle in Siegburg was not difficult for us. On the one hand, the distance to school, where the work day was filled almost daily with classes and workshops, was not too far. More impor
  • Working Potter: Hanako Nakazato, Karatsu, Japan, and Union, Maine
    I make pottery for daily use, so it has to be affordable and I need to sell a large volume. I don’t like to fuss around in making pottery. My training allows me to work fast.
  • Working Potter: Geoff Pickett, Athens, Georgia
    My introduction to pottery was at the local art school, taking evening classes, while studying mechanical engineering at another local college by day. At the end of the first year, I abandoned enginee
  • Working Potter: Finn Dam Rasmussen, Tisvildeleje, Denmark
    I have made ceramics on a full-time basis at two different periods in my life: first, for 5 years, as a young man beginning in 1967 and then again starting in 2007. Each time, my intense need to spend