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Studio Visit: Kristine Poole, Santa Fe, New MexicoBuilt to suit the active practices of two artists, this home and studio features walls of windows that allow the surrounding mountains and landscape to serve as the backdrop for sculpting, researching
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Clay Culture: Nurturing CommunityStemming from one artist’s desire to mentor and reconnect, The Village Potters Clay Center offers a supportive and knowledgable community studio environment for artists to develop their skills and fin
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Clay Culture: Sonoma Ash ProjectThis ceramic artist fostered healing within a community devastated by the 2017 Tubbs Fire by incorporating the ash of lost homes into the glaze on symbolic vessels.
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Exposure: January 2019Images from Current and Upcoming Exhibitions
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Quick Tip: Sponges ForeverA handy and economical tip I’ve picked up from my community of potters is how to have a nearly endless supply of inexpensive throwing sponges. Simply cut up an Armaly ProPlus polyurethane sponge—the l
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From the Editor: January 2019As I write this, California is in the grips of several devastating wild fires, including the Camp Fire, which is now the worst in the state’s history. Many lives have been lost, homes and businesses h
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Spotlight: Demonstrated UseNicole Aquillano explains how photographing her finished pots with oil, dried herbs and spices, fresh bread, greens, and whiskey activates the imagination of her customers.
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Recipes: Mid-Range GlazesTwo artists share how they achieve depth in their sculptural and functional surfaces at cone 6.
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Call for Entries December 2018Information on submitting work for exhibitions, fairs, and festivals.
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Tips and Tools: Reclaiming ClayPotter Mea Rhee makes the daunting task of reclaiming clay manageable by keeping an eye on her slop bucket and drying out small batches in a stacked tower of alternating plaster slabs and clay.
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Techno File: Cones in the KilnLearn more from the cones you load into each firing than how hot your kiln got. Bloated, leaning, and deformed pyrometric cones point to the atmospheric and environmental conditions of a firing.
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Kirsten Stingle: The Veneer of Sweetness Over the Complicated CoreKirsten Stingle’s figures are characters on an epic journey, born from the thousands of existing tales and legends about women, but remade so that they define themselves, move beyond convention, and s
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Emre Can: Artistic Touches on 3D-Printed Ceramic ArtworksFollowing his technical research into 3D-printed ceramics, Emre Can has used the technology to reflect on issues integral to people living in the Middle East, conveying injustice and destruction throu
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Susan Beiner's Garden of UN-Earthly DelightsSusan Beiner’s installations present a hybrid, often vibrantly colored world saved by an ecosystem able to adapt to and evolve from our throw-away culture.
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Considerations of Form and FunctionCooking often influences the design decisions Lindsay Oesterritter makes when developing a new form. A recent collaboration with a chef opened her eyes to using the forms in new ways.
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Of Time and Place: Pots for Salad DaysSourcing inspiration and local clay from the setting of Watershed Center for the Ceramic Arts, Christina Bendo made over 500 plates to showcase one special meal.
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A Dining ExperienceFollowing the saying, “We eat food with our eyes first,” Yoko Sekino-Bové makes food-specific tableware to enhance the dining experience not only with function, but also with eye-pleasing design.
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Small Bowls for Social MealsGrowing up in Ukraine, dinner was a social event for Sasha Barrett, with friends, family, and neighbors stopping by and contributing ingredients. His bowls reflect that community spirit, and the image
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Studio Visit: Wood Song Pottery: William Baker and Joy Tanner, Bakersville, North CarolinaWe were able to purchase our first home in Bakersville, North Carolina, about an hour from Asheville, in 2012. In earlier years, while renting spaces to live and work in the area surrounding the Penla
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Clay Culture: Jaipur Blue PotteryJaipur blue pottery is said to have been imported via Mongol artisans, who mixed their knowledge of Chinese glazing technology with Persian decoration. It travelled south to India in the 14th century,
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