New Work by Peter Beard
at the Contemporary Ceramics Centre (http://cpaceramics.com) in London, England, through October 12.
Jun Kaneko: An Abundance of Presence
at Gerald Peters Projects (www.petersprojects.com) in Santa Fe, New Mexico, through October 26.
Jo Davies: London Porcelain
at Mufei Gallery (www.pws-shanghai.com/?lang=en) in Shanghai, China, through October 12.
at In Tandem Gallery (www.intandemgallery.com) in Bakersville, North Carolina, October 1–31.
Brother Thomas Bezanson: Tall Forms
at Pucker Gallery (www.puckergallery.com) in Boston, Massachusetts, through October 13.
Workhouse Clay International 2019
at Workhouse Arts Center (www.workhousearts.org) in Lorton, Virginia, through October 13.
Ceramic Momentum—Staging the Object
at CLAY Museum of Ceramic Art Denmark (https://claymuseum.dk) in Middelfart, Denmark, through November 3.
Mending: Craft and Community, Selections from the Museum’s Collections
at the Museum of Fine Arts, Houston (www.mfah.org) in Houston, Texas, through October 20.
at Duane Reed Gallery (www.duanereedgallery.com) in St. Louis, Missouri, through October 12.
Passages of Absence
at Gallery 224 at the Ceramics Program, Office for the Arts at Harvard (https://ofa.fas.harvard.edu/ceramics ) in Allston, Massachusetts, October 5–November 1.
at Galerie Terra Delft (www.terra-delft.nl) in Delft, The Netherlands, through October 6.
Vessel as Metaphor
at Red Lodge Clay Center (www.redlodgeclaycenter.com) in Red Lodge, Montana, October 4–November 2.
Magic Garden: Adam Redd
at Saratoga Clay Arts Center (www.saratogaclayarts.org) in Schuylerville, New York, through November 1.