Ceramics Monthly Articles (Simple)

  • Tips and Tools: The Kiln Sitter
    Does the shut-off mechanism on your manual kiln need to be calibrated? Find out how to maintain the alignment of kiln sitters to achieve accurate firings.
  • Composing a Workable Parian Clay Body
    Parian clay is renowned for its translucency and self-glazing surface. When mixing test batches using silica, kaolin, and a variety of fluxes, Antoinette Badenhorst sought out a custom clay body that
  • Techno File: Reclaiming Frozen Clay
    There is a myth among some ceramic artists working in cold climates that if a clay body freezes, it’s ruined and must be thrown out. Is that really true though? Hint: No.
  • Review: The Body, The Object, The Other
    A group exhibition of ceramic sculpture, installation, and performance works examines the way that the realities of the body are often in conflict with social systems. The topics examined include obje
  • Bari Ziperstein: Cause, Effect, and Creativity
    Ideas around labor, business savvy, and connecting with her team are key to understanding Bari Ziperstein’s different types of ceramic art, including sculptures, a production design line, and a limite
  • Diana Williams: High Fired
    Diana Williams’ splits her time between Jingdezhen, China, and Australia. Her most recent sculptural series reflects both her training and experiences working as an artist in China’s porcelain capital
  • Bringing Ideas Into Form
    Lisa Naples’ transition from one life chapter to the next coincided with building a new body of work for a solo exhibition. The processes involved—from idea generation to installation—became an experi
  • Claire Curneen: About to Happen
    Claire Curneen’s appreciation of touch, beauty, and the aesthetic value of change is evident in her porcelain figures. She draws on and reinterprets myths and religious stories, giving viewers an oppo
  • Studio Visit: Daniel Gillberg, Oslo, Norway
    Compact, solar powered, and designed with spaces for office tasks and studio work, Daniel Gillberg’s studio is uniquely suited for the ceramic needs of his two-fold practice as a potter and paper cons
  • Clay Culture: Inspired by History
    While traveling through Mexico, Craig Hinshaw was able to visit the studio of siblings Patricia and Rodrigo Morales, who create pottery and sculptural replicas based on ancient Mayan forming technique
  • Clay Culture: Neutral Hands and Wrists
    Neutral hand and wrist positions, those that result in the least strain on muscles and joints, are important to remember when working long hours in the studio.
  • Exposure: November 2020
    Images from Current and Upcoming Exhibitions
  • Quick Tip: Carving with Confidence
    Carving can be nerve wracking for many. Two steps to help you gain confidence in carving are learning what your clay body’s ideal moisture level is for each tool that you use and maintaining that mois
  • From the Editor: November 2020
    I don’t know about you, but I seem to naturally gravitate toward depictions of other people or animals, reading their overall features, facial expressions, gestures, stances, posture, and more. This f
  • From the Editor: October 2020
    Galleries and other institutions that showcase ceramics play an important role in their physical communities, as well as the larger ceramics community via their online presence. They help to support a
  • Gallery Guide 2021
    Find venues that exhibit ceramic art in our annual Gallery Guide listing.
  • Spotlight: Point of Connection
    To find a new audience, Lisa Belsky and Cat Sheridan looked beyond traditional ceramics venues to The Smithery, a jewelry and modern craft gallery, to showcase an exhibition of ceramic cups.
  • Call for Entries: October 2020
    Deadlines for exhibitions, fairs, and festivals.
  • Recipes: Clay and Glaze for Tile
    Forrest Lesch-Middelton shares a few clay and glaze recipes that have proven suitable for creating handmade tile.
  • Recipes: High-Fire Sgraffito Slip and Glaze Surfaces
    Miranda Thomas provides the light and dark slip recipes that she uses for sgraffito decoration, as well as two glazes that work well over these two slips.