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Quick Tip: Salad Tong ToolsI like making the things I use. I also like hunting for treasures in thrift stores. Lately, I’ve been hunting and collecting old salad forks, spoons, and other wooden utensils to make clay tools. I re
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Summer Workshops 2019Dedicate some time this summer to learning new techniques and interacting with other artists at a workshop. We’ve gathered information on opportunities all over the US and abroad in this annual guide.
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Studio Visit: Inge Vincents, Copenhagen DenmarkA bustling city street serves as a backdrop through the windows of this potter’s combined studio and shop.
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Call for Entries April 2019Information on submitting work for exhibitions, fairs, and festivals.
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Spotlight: A Void and a NeedChris Corson found personal fulfillment and artistic challenge in making the switch from union lawyer to ceramic artist.
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Tips and Tools: Raku Kiln Design RevisitedWhile the natural variation of raku firing can be appealing, learn how to gain more control over your raku kiln and its fired results with these simple kiln design updates.
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Recipes: 2018 Emerging Artist's Atmospheric SurfacesAndrew McIntyre, one of Ceramics Monthly’s 2018 Emerging Artists as well as one of our “Drink Up!” contest winners, shares glaze recipes that he uses for atmospheric firing.
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Colored Clay Blends and TestsAn interest in how we recognize and ascribe meaning to colors, and how that affects our perceptions of objects around us led Allison Cochran to experiment with creating an impressive palette of colore
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Techno File: Stoneware MaturityThe majority of ceramic artists buy their clay bodies or raw materials from a commercial supplier. With each purchase comes a trust that the product will fire as directed. And most do, but as mines ch
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On Family and Reflection: Clive Sithole at Mid CareerClive Sithole’s hand-coiled, burnished vessels demonstrate his connection to Zulu cultural expression and history, as well as his study of and exchange with Sotho and Venda pottery traditions.
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Suzy Atkins: Bursting with Energy and VitalitySuzy Atkins’ painterly, salt-fired, and gold-luster embellished vessels exude the same energy with which the artist approaches daily life, including her work as co-founder of the European Centre for C
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Terra Sigillata in Wood FireBy following his curiosity, Alan Willoughby found that a traditionally low-fired surface treatment reacts dramatically with flame, wood ash, and a light application of salt.
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A Slow and Steady Transition with Zac SpatesThrough university studies, assistantships, apprenticeships, and opportunities to build and fire kilns with other artists, Zac Spates forged a dedication to wood firing. The finished, fired surfaces’
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Clay Culture: Chinese Fast FiringWhat was once thought to be a traditional Japanese technique, the origins of Western raku now appear to have been practiced in China for 1000 years.
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Clay Culture: Art of the OtherA panel discussion and exhibition gave marginalized ceramic artists Habiba El-Sayed, Raven Halfmoon, Mac McCusker, and others the platform to tell their stories, and to inspire those who want to expan
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Clay Culture: Bourry Box Kiln BuildBuilding a new wood kiln is a serious undertaking. The faculty and staff at one university found a way to do it in one week, by organizing a workshop and inviting a master kiln builder to head the pro
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Exposure: April 2019Images from Current and Upcoming Exhibitions
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From the Editor: April 2019As a technique, firing work in a kiln or pit where the fuel and atmosphere around the pieces have a specific, sometimes variable, effect on the clay and glazes is quite old. As old, in fact, as the fi
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Quick Tip: Brush ScraperIt’s best to use slip made with your own clay when connecting attachments. I like my slip to be the consistency of syrup, and use a brush to clean the excess slip away after attaching parts. I used to
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Spotlight: RepurposedLindsay Rogers discusses her collaboration with Sow True Seeds for an exhibition focused on adopting sustainable agricultural practices in the US.
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