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Quick Tip: Remote Learning Ceramics ToolkitAs a high school ceramics teacher, remote learning has presented many challenges. Among them has been getting affordable and practical supplies for students to use at home. -
From the Editor: April 2021Ceramic artists are making a difference in their communities and beyond through the objects they make, the research and collaborations they participate in, and the ways they engage people around them -
Tips and Tools: Thermocouple StiltsWith a bit of time and a dependable clay body, you can upcycle spent thermocouples into high-temperature stilts. -
Call for Entries: March 2021Deadlines for exhibitions, fairs, and festivals. -
Recipes: Atmospheric Effects for Soda, Wood, and RakuAndy Bissonnette, Seth Charles, and Olivia Tani share recipes for clays, slips, terra sigillatas, and glazes that respond well in soda, wood, and raku firings. -
Spotlight: Skin of the VesselInspired by the landscape of the Southwest and the ability of music to spark memory, James Watkins experiments with materials in saggar firings and uses low-fire fuming techniques to achieve rich, arc -
Techno File: Melt FluidityGlaze flow is dependent on the time and temperature of a glaze firing, along with glaze thickness, and glaze and clay body compositions. With so many variables to be mindful of, here’s a guide to help -
Tessa Eastman: Alchemical AestheticsHer work retains the traces of a course in mathematical theories during which she was introduced to the Golden Section and Fibonacci series. -
Theaster Gates: Black VesselCeramics merge with wood, tar, and found objects to depict a dialog on labor and thought in Theaster Gates’ solo show at Gagosian Gallery in New York City. -
Marty Gross and the Mingei Film ArchivePreserving historical films that document the techniques and way of life of potters in Japan, Korea, China, and Southeast Asia became the mission of filmmaker Marty Gross. -
Seth Charles: Inner and Outer LandscapesSeth Charles wants you to look closer. At first glance, his wood-fired sculptures might remind you of an eroded rock formation or the carved arch of a cliff. -
Like Father Like Daughter: Ngozi OmejeThrough large-scale installations composed of thousands of tiny elements suspended on monofilament, Ngozi Omeje tells layered stories of personal and universal experiences. -
Andy Bissonnette: Seeking Order in SymmetryWithin Andy Bissonnette’s refined vessels exists a series of contrasts: smooth and carved, complex and simple, intentional and organic. -
Studio Visit: Grove Vale Ceramics, East Dulwich, London, EnglandGrove Vale is a gallery and workshop that is home to four ceramic talents, long-time studio mates established in their own individual practices. -
Clay Culture: Lustron HomesSteel-framed homes with porcelain-enameled steel cladding were produced as kits at the end of the 1940s in response to the post-war housing crisis. Although the building method never took off, an esti -
Clay Culture: Teaching RemotelyTwo educators, Kelly Clark and Courtney Long, share the ways they’ve adapted to instructing ceramics students remotely. -
Exposure: March 2021Images from Current and Upcoming Exhibitions -
Quick Tip: Line-Blend TestsClay slip, or liquefied clay, can be used in varying ways. When working with earthenware, the clay bodies are higher in iron content and darker in color, ranging from red, to brown, to black. A lighte -
From the Editor: March 2021Whether you’re interested in exploring atmospheric firing or are curious about the ways artists choose and use firing techniques to further their ideas, I hope you’ll be inspired by these artists’ approaches. -
Call for Entries: February 2021deadlines for exhibitions, fairs, and festivals
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