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Clay Culture: Transporting WorkThe most efficient way to pack and transport ware to and from sales and fairs for each maker is usually determined by trial and error. Neil Estrick describes his preferred methods, as well as the fact
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Exposure: February 2020Images from Current and Upcoming Exhibitions
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Quick Tip: Tombo ToolThe Japanese also named a delicate little potter’s tool after it that is used to gauge the depth and width of a wheel-thrown piece of pottery and facilitate throwing multiple forms of the same size. M
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From the Editor: February 2020This issue approaches the business side of ceramics from a number of angles. After all, artists’ experiences, skill sets, locations, and goals vary as widely as the objects they make.
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Call for Entries: January 2020Information on submitting work for exhibitions, fairs, and festivals.
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Spotlight: Want Versus NeedFor Mike Helke, self-assigned limitations on process, tools, and time in the studio served to generate ideas and questions in his creative practice.
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2020 Residencies and FellowshipsNeed a place to make work and make connections? Need a change of pace or scenery? Need some focused studio time? Apply for a residency!
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Recipes: Low- and High-Fire Slips and Glazes for Pots and SculptureMorean Center for Clay's 2018–2019 resident artists and Seth Guzovsky, one of Shockoe Bottom Clay's gallery artists, share recipes they use on their pots and sculpture.
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Recipes: Sculpture Clay BodyThis simple clay body is just as suitable for student work as it is for the forming, firing, and post-firing demands of elaborate figurative sculptures.
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Tips and Tools: The Magic Cleaning SpongeLearn how to rid bisque-fired surfaces of residual underglaze or stain after inlaying processes with a common household cleaner—the Magic Eraser.
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Techno File: Terra Sig ExperimentTurning the terra-sigillata making process on it’s head, Tom Anderson has found a way to use temperature to eliminate time, and get a better yield.
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Efficient CratingOnce you’ve made a large, fragile ceramic sculpture, how do you get it from point A to point B? Richard W. James explains his approach to crating and outlines the supplies, tools, and logistics it tak
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Review: Christopher Staley's Touching TimeFramed through a number of works on paper and ceramic sculpture, Christopher Staley’s recent exhibition presents an investigation and archive of movement and form.
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Gerardo Monterrubio's Psychological Collage: Ceramics as AutobiographyGerardo Monterrubio creates sculptures whose forms and surface imagery exemplify blended cultures and depict the accumulated nature of culture. His dynamic pieces combine layered references to persona
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Abstract Representation: Louise DeroualleAn emphasis on material converges with simple, yet curious forms in the ceramics of Louise Deroualle. Reflective of quiet introspection and the physical processes of their making, each piece offers th
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Materials, Making, and Movement with Sandy LockwoodSandy Lockwood emphasizes the importance of paying close attention to the world around her and focuses on three main themes in her work: materials, making, and movement. The resulting sculpture and po
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Tuning Into NatureThe Living Art of Bonsai project at the Pacific Bonsai Museum posed an unconventional challenge to ceramic artist Ron Lang: work collaboratively with two other artists to create a complete bonsai disp
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Studio Visit: Morean Center for Clay: Artists in Residence, St. Petersburg, FloridaCommunication and respect are essential for the six resident artists working in the open-floor-plan studios of the Morean Center for Clay in order to maintain an environment that fosters the exchange
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Clay Culture: Chicago City GuideThis guide outlines the ceramic sights in the Windy City, from museums and galleries to art fairs and community centers.
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Exposure: January 2020Images from Current and Upcoming Exhibitions
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