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Quick Tip: Extend Your ReachAfter doing some touch-up painting in my kitchen, I realized that the mini paint roller I had been using would make a super easy sponge-on-a-stick tool to help reach into narrow or tall thrown pots.
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From the Editor: December 2020Think of all of the types of ceramic pots and dishes you have in your home. There are everyday dishes, including plates, mugs, and sugar bowls; bakeware like casseroles and bread cloches; storage vess
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Spotlight: Telling My Own StoryMac McCusker discusses the visibility and vulnerability that come with making figurative work that documents a personal narrative.
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Call for Entries: November 2020Deadlines for exhibitions, fairs, and festivals.
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Recipes: Clay, Slip, and Glazes from Low to HighLisa Naples and Taylor Sijan share clay, slip, and glaze recipes they use regularly in their studios. With wide firing ranges, several of these recipes have the added bonus of versatility in addition
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Tips and Tools: The Kiln SitterDoes the shut-off mechanism on your manual kiln need to be calibrated? Find out how to maintain the alignment of kiln sitters to achieve accurate firings.
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Composing a Workable Parian Clay BodyParian clay is renowned for its translucency and self-glazing surface. When mixing test batches using silica, kaolin, and a variety of fluxes, Antoinette Badenhorst sought out a custom clay body that
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Techno File: Reclaiming Frozen ClayThere is a myth among some ceramic artists working in cold climates that if a clay body freezes, it’s ruined and must be thrown out. Is that really true though? Hint: No.
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Review: The Body, The Object, The OtherA group exhibition of ceramic sculpture, installation, and performance works examines the way that the realities of the body are often in conflict with social systems. The topics examined include obje
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Bari Ziperstein: Cause, Effect, and CreativityIdeas around labor, business savvy, and connecting with her team are key to understanding Bari Ziperstein’s different types of ceramic art, including sculptures, a production design line, and a limite
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Diana Williams: High FiredDiana Williams’ splits her time between Jingdezhen, China, and Australia. Her most recent sculptural series reflects both her training and experiences working as an artist in China’s porcelain capital
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Bringing Ideas Into FormLisa Naples’ transition from one life chapter to the next coincided with building a new body of work for a solo exhibition. The processes involved—from idea generation to installation—became an experi
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Claire Curneen: About to HappenClaire Curneen’s appreciation of touch, beauty, and the aesthetic value of change is evident in her porcelain figures. She draws on and reinterprets myths and religious stories, giving viewers an oppo
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Studio Visit: Daniel Gillberg, Oslo, NorwayCompact, solar powered, and designed with spaces for office tasks and studio work, Daniel Gillberg’s studio is uniquely suited for the ceramic needs of his two-fold practice as a potter and paper cons
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Clay Culture: Inspired by HistoryWhile traveling through Mexico, Craig Hinshaw was able to visit the studio of siblings Patricia and Rodrigo Morales, who create pottery and sculptural replicas based on ancient Mayan forming technique
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Clay Culture: Neutral Hands and WristsNeutral hand and wrist positions, those that result in the least strain on muscles and joints, are important to remember when working long hours in the studio.
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Exposure: November 2020Images from Current and Upcoming Exhibitions
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Quick Tip: Carving with ConfidenceCarving can be nerve wracking for many. Two steps to help you gain confidence in carving are learning what your clay body’s ideal moisture level is for each tool that you use and maintaining that mois
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From the Editor: November 2020I don’t know about you, but I seem to naturally gravitate toward depictions of other people or animals, reading their overall features, facial expressions, gestures, stances, posture, and more. This f
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From the Editor: October 2020Galleries and other institutions that showcase ceramics play an important role in their physical communities, as well as the larger ceramics community via their online presence. They help to support a
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