Ceramics Monthly Articles (Simple)

  • Techno File: Rapid Bisque Firing
    Most beginning potters pay little attention to bisque firings until they experience an explosion. More often than not, glaze blemishes can be traced directly to improper bisque firings. Taking a cue f
  • Spotlight: Engaging and Curating
    Kate Lydon reflects on her 35-year career at Contemporary Craft in Pittsburgh, Pennsylvania.
  • Call for Entries: April 2022
    Deadlines for exhibitions, fairs, and festivals.
  • Recipes: High-Fire Colors
    Find more high-fire recipes from master artist Dan Anderson, who was featured in the March 2022 issue.
  • Tips and Tools: Unearthing Potential
    Maximize the use of commercial underglazes and glazes by testing and retesting. Change the variables—application technique, layered products, number of coats—to yield limitless options.
  • Techno File: Glaze Lab
    Do you dream about having a glaze lab in your studio but feel such a luxury is out of reach? Learn how to substitute materials so you can create more glazes with fewer ingredients.
  • Nick Geankoplis: Preserving Complexity
    Through appropriated decal imagery from Eastern and Western sources, collaged compositions, and references to history and culture, Nick Geankoplis constructs narratives that remain intentionally ambiguous and open ended.
  • Wild Clay and Glaze
    Excavating local materials to use in clay bodies and glazes can infuse finished work with a sense of place and connect artists with the regions where they live, while also helping to lower the carbon footprint of their studio practices.
  • Rashida Ferdinand: Sculpting the Land, Revitalizing a Community
    Transformation and spiritual containment are central to Rashida Ferdinand’s life and art practice.
  • Cannupa Hanska Luger: Engaging Community
    Often large scale and composed of thousands of components made via collaboration, the work of Cannupa Hanska Luger emphasizes his belief that we need each other.
  • Tearing Down the Gates: Crafting Community Reclaims What Was Lost
    Yinka Orafidiya traveled to Ghana to study under master women potters, then held community-focused workshops upon her return to Philadelphia to share the vessel-making process with Black women.
  • Studio Visit: Byju S R, Thiruvananthapuram, Kerala, India
    When planning his second career as an artist, Byju S R moved to a house with a small studio and flexible outdoor patio space suitable for both larger projects and group workshops alike.
  • Clay Culture: ALMA
    An organization in Albuquerque, New Mexico, gives young artists a chance to learn how to plan, make, and install large-scale mosaics that simultaneously relate meaningful stories and beautify buildings around the region.
  • Clay Culture: Kiln Share
    This global database connects kiln owners with those needing to fire their work. Currently boasting 250 kilns, the list is constantly growing.
  • Exposure: April 2022
    Images from Current and Upcoming Exhibitions
  • Quick Tip: Calculating Clay Shrinkage
    Have you ever broken the lid to a fully finished teapot and needed to make a replacement? If you simply measure the lid with calipers, the measurement won’t be accurate.
  • From the Editor: April 2022
    In this issue, we focus on artists who center community in their studio practice and their lives.
  • Summer Workshops 2022
    Want to try a different firing type or learn some new techniques? A summer workshop might be just the thing. Check them out in our annual guide.
  • Spotlight: Constants and Networks
    Malcolm Mobutu Smith discusses how teaching, improvisation, and a hunger for knowledge inspire him. He also shares his belief in the positive impact that maintaining connections can have throughout an artist’s career.
  • Call for Entries: March 2022
    Deadlines for exhibitions, fairs, and festivals.