Ceramics Monthly Articles (Simple)

  • Studio Visit: Parlour Pottery, Copper Hill, Virginia
    Josh Manning and Hona Leigh Knudsen have renovated and retrofitted the milk parlour that belonged to Josh’s grandparents as their shared pottery studio. The space presents a rich history and the poten
  • Clay Culture: Potters of Mauritius
    Three small potteries in Mauritius share their experiences making functional pots to serve the island nation’s religious and ceremonial needs.
  • Exposure: December 2020
    Images from Current and Upcoming Exhibitions
  • Quick Tip: Extend Your Reach
    After doing some touch-up painting in my kitchen, I realized that the mini paint roller I had been using would make a super easy sponge-on-a-stick tool to help reach into narrow or tall thrown pots.
  • From the Editor: December 2020
    Think of all of the types of ceramic pots and dishes you have in your home. There are everyday dishes, including plates, mugs, and sugar bowls; bakeware like casseroles and bread cloches; storage vess
  • Call for Entries: November 2020
    Deadlines for exhibitions, fairs, and festivals.
  • Spotlight: Telling My Own Story
    Mac McCusker discusses the visibility and vulnerability that come with making figurative work that documents a personal narrative.
  • Recipes: Clay, Slip, and Glazes from Low to High
    Lisa Naples and Taylor Sijan share clay, slip, and glaze recipes they use regularly in their studios. With wide firing ranges, several of these recipes have the added bonus of versatility in addition
  • Tips and Tools: The Kiln Sitter
    Does the shut-off mechanism on your manual kiln need to be calibrated? Find out how to maintain the alignment of kiln sitters to achieve accurate firings.
  • Techno File: Reclaiming Frozen Clay
    There is a myth among some ceramic artists working in cold climates that if a clay body freezes, it’s ruined and must be thrown out. Is that really true though? Hint: No.
  • Composing a Workable Parian Clay Body
    Parian clay is renowned for its translucency and self-glazing surface. When mixing test batches using silica, kaolin, and a variety of fluxes, Antoinette Badenhorst sought out a custom clay body that
  • Review: The Body, The Object, The Other
    A group exhibition of ceramic sculpture, installation, and performance works examines the way that the realities of the body are often in conflict with social systems. The topics examined include obje
  • Bari Ziperstein: Cause, Effect, and Creativity
    Ideas around labor, business savvy, and connecting with her team are key to understanding Bari Ziperstein’s different types of ceramic art, including sculptures, a production design line, and a limite
  • Diana Williams: High Fired
    Diana Williams’ splits her time between Jingdezhen, China, and Australia. Her most recent sculptural series reflects both her training and experiences working as an artist in China’s porcelain capital
  • Bringing Ideas Into Form
    Lisa Naples’ transition from one life chapter to the next coincided with building a new body of work for a solo exhibition. The processes involved—from idea generation to installation—became an experi
  • Claire Curneen: About to Happen
    Claire Curneen’s appreciation of touch, beauty, and the aesthetic value of change is evident in her porcelain figures. She draws on and reinterprets myths and religious stories, giving viewers an oppo
  • Studio Visit: Daniel Gillberg, Oslo, Norway
    Compact, solar powered, and designed with spaces for office tasks and studio work, Daniel Gillberg’s studio is uniquely suited for the ceramic needs of his two-fold practice as a potter and paper cons
  • Clay Culture: Inspired by History
    While traveling through Mexico, Craig Hinshaw was able to visit the studio of siblings Patricia and Rodrigo Morales, who create pottery and sculptural replicas based on ancient Mayan forming technique
  • Clay Culture: Neutral Hands and Wrists
    Neutral hand and wrist positions, those that result in the least strain on muscles and joints, are important to remember when working long hours in the studio.
  • Exposure: November 2020
    Images from Current and Upcoming Exhibitions