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Exposure: March 2017Images from Current and Upcoming Exhibitions
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Where Understanding BeginsI began the interview for this article with an apology to Nathan Murray, a man of mixed race, for any racial ignorance on my part. As a white woman, I felt both inadequate and self-conscious about try
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Narrowing the Variables, Expanding the ParametersHow often are artists mindful of the parameters with which they’re working? Many are not conscious choices and are purely based on habitual motions or subconscious aesthetic ideals that the artists po
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Dylan Beck: Chronicling the Road to NowhereDylan Beck has ascended this past decade to pace-setter status in merging the use of technological tools and concepts with traditional ceramics processes. His steady rise to recognition in the field h
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From the Editor: February 2017
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Recipes: Fritware Casting Slip and Low-Fire Glazes
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Clay Culture: Local Potters
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Studio Visit: Kristen Swanson, Lovettsville, Virginia
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Clay Culture: A SpringboardGaining business skills can be difficult. Springboard for the Arts, a non-profit arts-services organization, has made it easier with their Work of Art Toolkit, which can be used by individual artists,
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Clay Culture: Art CartI live in Brooklyn, but not in the hip, happening Brooklyn most people think of. My neighborhood is a bit far off the beaten path, and somewhat far removed—both geographically and culturally—from the
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Exposure: February 2017Images from Current and Upcoming Exhibitions
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From the Editor: February 2017Whether you studied ceramics in college, attended community classes, are self taught, or learned via an apprenticeship/from a mentor, it’s likely that business and marketing skills were not part of th
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Clay Culture: Local PottersWhen potters put down roots in a neighborhood, they can make a lasting impact on the community. Our studio building is located in a historic district in Philadelphia, Pennsylvania, close to the art m
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Clay Culture: Art Cart
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Clay Culture: A Springboard
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Studio Visit: Kristen Swanson, Lovettsville, VirginiaIn 1998 my husband and I bought a 150-year-old farmhouse in the historic town of Lovettsville, Virginia, located about an hour outside of Washington, DC. The following spring we built the original 16×
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Small Batch, Small HatchOver the last several years I have entered the world of the craft show. The craft show, for me, is a constant emotional roller coaster. I pay a fee to rent a 10×10-foot booth space, typically outside,
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The Object of Objective ClayThinking of change, or at least the changing landscape for artists and how they approach finding markets and exposure for their work, is a dance that is performed on countless stages, each offering th
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Forming a FoundationOur life and values are strongly rooted in self-reliance, so when Kevin and I began working in clay we resisted investing in studio equipment. Instead, we invested time and spent a year and a half dev
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A Pottery IncubatorThis morning’s conversation went a little like this: [me] “You’re going to want to build up your bisque stock, so when orders come in online, you can glaze them and fill the order faster.” [emerging a
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