-
Clay Culture: Art CartI live in Brooklyn, but not in the hip, happening Brooklyn most people think of. My neighborhood is a bit far off the beaten path, and somewhat far removed—both geographically and culturally—from the
-
Exposure: February 2017Images from Current and Upcoming Exhibitions
-
From the Editor: February 2017Whether you studied ceramics in college, attended community classes, are self taught, or learned via an apprenticeship/from a mentor, it’s likely that business and marketing skills were not part of th
-
Clay Culture: Local PottersWhen potters put down roots in a neighborhood, they can make a lasting impact on the community. Our studio building is located in a historic district in Philadelphia, Pennsylvania, close to the art m
-
Clay Culture: Art Cart
-
Clay Culture: A Springboard
-
Studio Visit: Kristen Swanson, Lovettsville, VirginiaIn 1998 my husband and I bought a 150-year-old farmhouse in the historic town of Lovettsville, Virginia, located about an hour outside of Washington, DC. The following spring we built the original 16×
-
Small Batch, Small HatchOver the last several years I have entered the world of the craft show. The craft show, for me, is a constant emotional roller coaster. I pay a fee to rent a 10×10-foot booth space, typically outside,
-
The Object of Objective ClayThinking of change, or at least the changing landscape for artists and how they approach finding markets and exposure for their work, is a dance that is performed on countless stages, each offering th
-
Forming a FoundationOur life and values are strongly rooted in self-reliance, so when Kevin and I began working in clay we resisted investing in studio equipment. Instead, we invested time and spent a year and a half dev
-
A Pottery IncubatorThis morning’s conversation went a little like this: [me] “You’re going to want to build up your bisque stock, so when orders come in online, you can glaze them and fill the order faster.” [emerging a
-
Bridging American and Japanese CeramicsMany American potters tend to romanticize Japanese ceramics, and are most familiar with its wood-fired aesthetics and traditions, its connection to Zen Buddhism and the Japanese Tea Ceremony, a highl
-
NCECA's Emerging Artist ExhibitionEvery year NCECA’s jury process sifts through a plethora of candidates and distills six emerging artists to profile, promote, and present to delegates. Every year, I plan my return travel around getti
-
A Rising TideThe history of modern and contemporary ceramics since World War II has been a period of explosive growth, buoyed by American confidence and an emergent audience and marketplace. Potters established st
-
Ceramic Tile: My Passion, My MuseThe years 1852, 1984, and 2016 are all meaningful dates in a personal time line that helped shape the telling of this story. As we enter this time machine, the underlying circular story begins and end
-
Bisque Firing 101
-
Tips and Tools: No Mess Extruding
-
Recipes: Fritware Casting Slip and Low-Fire GlazesA highly vitrified fritware casting slip, decorating slip, and compatible glazes that mature at come 04 help the Ramsays reduce energy costs without losing the appeal of red earthenware clay and a wid
-
Recipes: Cone 10 Glazes for Tiles and VesselsThese glazes work well on flat tiles as well as vessels, highlight texture well, and provide opportunities for varied surfaces in oxidation firings.
-
Spotlight: February 2017In August of 2016 I bought the old Madison County jail in Marshall, North Carolina, at auction with my three business partners Jody, Pete, and Weslee. (That’s me climbing the scaffolding in front of t
- «
- 71
- 72
- 73
- 74
- 75
- 76 (current)
- 77
- 78
- 79
- 80
- »