Ceramics Monthly Articles (Simple)

  • Pamela Sunday: A Repurposed Career
    The handbuilt sculptures of New York ceramic artist Pamela Sunday are admired around the world, but there was a time when she had never considered ceramics art as a viable career. After a decade of su
  • Masayuki Miyajima: Innovation from Tradition
    Innovation in art, as in all practices, may be perceptible only against the backdrop of convention, but convention need not be synonymous with the status quo: a current state of thought or practices a
  • Studio Visit: Kaitlan Murphy, Revelstoke, British Columbia, Canada
    My home town, Revelstoke, British Columbia, is a working class/ski community six hours east of Vancouver on the Trans-Canada Highway. This highway skirts the edge of town and boasts 30,000 cars a day
  • Reinventing One's Self
    I took my first pottery classes in middle school, and really fell in love with it as a dyslexic, uncoordinated kid who was asked to mouth the words in chorus. I’d never been good at anything in school
  • Bomb It
    Jeff Schwarz’s sculptural vessels are the result of a delicate conceptual balancing act. Lying midway between popular culture and fine art, between functional and sculptural ceramics, his work bears a
  • Techno File: Freeze Thaw Myth
    Back in the 1990s I had a small ceramics business that specialized in tile, fountains, lamps, and other decorative indoor and outdoor wares. Early in my career I submitted a proposal for a large tile
  • Core Connections: Korean Ceramics
    “Core Connections: Korean Ceramics” at Lacoste Gallery (www.lacostegallery.com), in Concord, Massachusetts, included works selected by ceramic artist Sunkoo Yuh. By selecting the work of his instructo
  • From the Editor: November 2016
    Associate Editor Holly Goring and I had the opportunity to attend the Utilitarian Clay VII (UCVII) symposium at Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee, right before we sent this
  • Exposure: November 2016
    Images from Current and Upcoming Exhibitions.
  • Spotlight: November 2016
    I worked as a lawyer for almost six years at a couple of large law firms in New York City, and while the work was intellectually challenging and my colleagues were comfortably collegial, I felt someth
  • Recycled China
    Mountains of discarded porcelain. Labor as material. Recycling as a natural resource. These are just a few phrases that Recycled China co-founders Jeffrey Miller and Thomas Schmidt commonly employ whe
  • From the Editor
    I first saw the work of Recycled China (Jeffrey Miller and Thomas Schmidt) in person at the 8th Gyeonggi International Ceramics Biennale’s competition exhibition in Icheon, South Korea. I was complete
  • Exposure: October 2016
    Images from Current and Upcoming Exhibitions
  • Clay Culture: It Starts with a Cup
    I find that there are many similarities between making pots and collecting pots. For me, both of them start with a cup. Making a cup is always the first thing I do in the studio and a cup made by Jen
  • Clay Culture: Connect and Recall
    Collecting and using handmade pottery allows for a connection to the maker, providing opportunities to recall memories of the creative people and unique places from which the pots came. The vessels I
  • Studio Visit: Jenni Ward, Santa Cruz, California
    The studio I have worked out of for the past 12 years is a converted two-car garage attached to our home. We live near the Monterey Bay in California, surrounded by redwoods and very close to the ocea
  • Josh DeWeese: Pottery as Framework
    Josh DeWeese, who teaches at Montana State University (MSU) in Bozeman and was formerly the resident artist director at the Archie Bray Foundation for the Ceramic Arts in Helena, Montana, has been sur
  • 50/50
    A couple years ago I was part of an exhibition at a gallery and the experience was so bad and unprofessional it brought back memories of painful learning experiences as I fumbled my way into the art b
  • Anne Currier: Anamorphosis
    Anne Currier’s work is both enigmatic and totemic, it poses questions about the relationships of subtle curves to angles and sections of circles to planes, all of which are in some subtle manner spati