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Techno File: Studio DustMost potters are aware that the studio can be a hazardous place, especially from exposures to dust.
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The Lost Dhow
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Exposure April 2016
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From the Editor: April 2016
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Archive Article: On Being an Artist
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Cone 10 Glazes
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Cone 9 GlazesTom Turner shares some of his iconic, high-fire reduction glazes that work well on porcelain along with some helpful tips for using them.
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Exposure: March 2016
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Exploring Glazes: From Perfect Fit to Crackle and Matte
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Betty Woodman: The Ultimate Still-life Object
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Beth Katleman: After Folly
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Tom Turner: A Passion in PorcelainThroughout his distinguished career Tom Turner has created porcelain vessels. An exhibition of Turner’s work recently held at The Bascom Center for the Visual Arts in Highland, North Carolina, reveale
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Jun Kaneko: The Surface Figures; The Figure Surfaces
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Studio Visit: Kate and Daniel Johnston, Seagrove, North CarolinaWhen a meeting of the collaborative artists’ group the Romantic Robots began with a member describing a piece she received in the mail as “encrusted by all these balls,” I knew one reason why ceramic artists are drawn to work together—it’s simply fun.
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Clay Culture: Freedom of the PressPrintmaking using ceramic pigments and clay slabs allows Mitch Lyons to experiment freely and rpdocue work with more spontenaity.
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Clay Culture: Ceramic Craftivism
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Spotlight: Evaluate and Appreciate
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Tips and Tools: Wax Brush Holders
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Techno File: Reduction Misnomer
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From the Editor March 2016
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