Ceramics Monthly Articles (Simple)

  • Clay Culture: Magnetic Clay
    Jólan van der Wiel creates gravity-defying sculptures made from clay powder mixed with metal fibers and water, and shaped using a strong magnet.
  • Clay Culture: Blood Swept Lands
    The Tower of London’s dry moat was recently flooded again, this time with 888,246 ceramic poppies. Check out Paul Cummins and Tom Piper’s epic installation commemorating those who served and perished
  • Spotlight: Making It Work
    Robert Briscoe discusses what it takes to make a living as a potter
  • Tips and Tools: Ring Slump Molds
    I like to make slab-molded plates using a 12-inch-foam wreath form. With this method, I am able to make multiple plates at the same time with consistent results. The wreath forms are available in many
  • Playing with Fire in Paris
    Louis Lefebvre knows a thing or two about ceramics. He sits at the helm of Lefebvre et Fils, a Parisian gallery that has been dealing in antique and Modern ceramics since 1880. Five years ago, Lefebvr
  • Techno File: Spodumene
    Overcome the challenges of using spodumene and discover how to lower glaze melting temperatures and dramatically brighten such colors as cobalt blues.
  • From the Editor: February 2015
    Letter From the Editor
  • Recipes: Cone 6 Matte Glaze Base and Cone 04 Engobes
    Studio visit artists George Rodriguez and Deborah Schwartzkopf share glaze and engobe recipes.
  • New Tools: New Possibilities in Studio Ceramics
    Tools have long been a part of making in clay objects and the specific tool can influence the end result. In today’s age of digital technology we have new choices in tools, including die cutters for c
  • Recipes: Cone 6 Glazes From Stable to Reactive
    Julia Galloway layers glazes over and next to each other to create depth and support the ideas in her work.
  • Jay Kvapil: Brilliance
    Through an exacting and psychological use of striking colors and complex surfaces paired with minimal, flowing form, Kvapil creates objects that are charged, expressive, and dramatic.
  • Mature Whimsy: The Work of Andrew Ludick
    Ludick’s loose, exuberant drawing style and color palette—products of his training in illustration—have led to equally successful series of studio-made ceramics and collaborations with design firms an
  • Julia Galloway: Vessel, Vault, and Sky
    The sky as an inverted bowl, a vast concavity beneath which life plays out moments of triumph, pathos, and the prosaic alike, is an ancient metaphor that is as useful to reflection on the multiple fun
  • Studio Visit: Deborah Schwartzkopf and George Rodriguez, Seattle, Washington
    Starting up a studio in an expensive city like Seattle can be a real challenge. Meet two community-oriented artists who made it happen using innovative tools like Kickstarter and old fashioned hard wo
  • Clay Culture: Clay and Recovery
    Working with clay is empowering. Budding clay artists participating in classes at addiction recovery programs started by Baltimore Clayworks are learning this first hand.
  • Clay Culture: California Gold
    The life and legacy of artist, designer, and business woman, Edith Heath is a legendary tale with a new chapter being added by the creative, and capable, hands of a new generation.
  • Spotlight: Working Collectively
    Kyle and Kelly Phelps are identical twins, ceramic artists, and studio mates. They also create work together, and do so (mostly) harmoniously at that, we might add.
  • Techno File: Why Do Glazes Crawl?
    That time when you opened the kiln and all the pots were speckled with a crawling glaze...here’s why it happened and how to avoid it next time.
  • Tips and Tools: Trimming with a Chuck
    Tall, narrow chucks can make trimming easier because they actually fit inside the pot, saving rims from globs of smashed clay. This technique will make finishing pots a whole lot more fun once you get
  • Exposure: March 2015
    Images from Current and Upcoming Exhibitions