Ceramics Monthly Articles (Simple)

The friendship, idea exchange, and time spent firing kilns together since Rowan and Yamaki first met more than a decade ago is evident in the two-person show that was on view at Sara Japanese Pottery in New York, New York.

A solo exhibition of Connell’s most recent figures, which depart from the style of her previous works, was on view in the gallery at Western Kentucky University in Bowling Green, Kentucky.

Images from Current and Upcoming Exhibitions.

As people who work with clay, we know the reasons that motivate us to go to the studio. As makers, we also understand the draw to buy handmade objects, both for the joy of using them and for the conne

For years, John Glick has been extolling the virtues of not only standing while throwing, but also employing a good back brace to support the whole back. Now you too can give his method a try.

Tweaking the ratios of ingredients in a glaze base can lead to both an understanding of how these materials affect a glaze and a whole new set of glazes for your studio.

Installations by Christie Brown, Julian Stair, and Clare Twomey were on view at Westminster University’s Ambika P3 Gallery as part of a conference focused on contemporary ceramics.

For me, mugs evoke the smell of freshly ground coffee, the delicious bitterness of espresso, and the experience of starting the morning with a beautiful handmade object. This experience begins—as we p

Maiolino’s lyrical, sensual, and confrontational sculptures are about the human body, its functions, and the life cycle, as well as the mind and its desires.

Sculptural and utilitarian works by 65 international artists, designers, and architects from 30 countries were shown during the Taiwan Ceramics Biennale at the New Taipei City Yingge Ceramics Museum.

Scores of gumballs in masses of glistening cohesion or colorful building blocks fused together to form thick planks and faceted chunks: the visual impressions created by Michael Fujita’s sculptures em

I spent two days with John Glick at his home and studio in Farmington Hills, Michigan, to begin researching an article ostensibly about an upcoming retrospective exhibition; however, it was obvious th

The multimedia installation entitled Containing Time, a segment of which is being shown in the context of a larger solo exhibition of ceramics and paintings at Vessels Gallery in Boston, Massachusetts

Minnesota winters were a big factor in the studio design. Being able to move from the house to the studio and from the studio to the kilns without having to traverse icy stairs or sidewalks was a priority.

Julia Galloway shares what drives her to collect pots, and how she shares the collection with others visiting her home, with students, and with the public through exhibitions.

Images from Current and Upcoming Exhibitions