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Pocket MugsHow do you hold your coffee mug on a cold day? Do you hold it by the handle, fingers safely at a distance from the hot surface of the mug? Or, do you slip your hand under the handle to keep your finge
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In the Potter's Kitchen: Bisque-Molded BasinI prefer working with handmade bisque molds to make my individual pieces. My basin bisque mold is the largest one in my studio. It’s a generous form that offers a variety of uses, both decorative and
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Custom Work Table/WorkspaceLearning how I best work as an artist took some time. As an undergraduate student, I only experienced working in a communal workspace. As a graduate student, I shared a studio with one other maker for
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Carved Bisque Bowl MoldsBegin by throwing a bowl on the wheel. Since it will be trimmed into a dome and carved, I usually prefer to use smooth clay with little or no grog. The walls of the bowl should be fairly thick—I want
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Porcelain Slip TrailingMy pottery style has evolved over the years, but there has always been one constant: I have a passion for expressing traditional Japanese patterns on the surface of my pottery. To create the patterns,
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Kurinuki CuriousI’ve been kurinuki curious for a long time. Much as I admired the work of artists using this technique, and wondered what it might be like to try it out, I didn’t think of it as something I would do u
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Sgraffito DecorationA freshly made form, ready to decorate, etch, and carve, is an invitation to play. It’s such a pleasure to activate the surface with drawings and pattern. One of my favorite techniques is sgraffito, e
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In the Studio: Fixing CracksCracks, cracks, and more cracks! Why do cracks happen? It could be that you’re working with a clay body that is prone to cracking. It could be the way you handled your clay during the building process
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In the Studio: Eye Health for PottersOne of the health concerns I have as a potter is protecting my eyes from the dangers of looking into a red-hot kiln when checking pyrometric cones. During one of my pottery classes, we were discussing
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In the Studio: Applying to Arts and Craft ShowsAcross the US and around the world, art shows are a major component of the art market. As an emerging artist, participating in art shows can offer increased sales and networking opportunities and the
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In the Studio: Cleaning WorkThe final step toward getting your wares table ready requires that you handle each piece individually to decide how to best clean it for showcasing. This one-on-one time allows you to discover each pi
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Editor's Note: Looking ForwardTo help you get started, this issue of Pottery Making Illustrated is all about tools—both the physical tools you use to make pots and the mental tools you use to build a studio practice.
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In the Potter's Kitchen: People FeederWhen you are attending a party or public gathering, do you ever feel a bit dubious about eating treats like M&Ms or nuts from an open bowl? You never know who has been digging unwashed hands into the
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Pottery Illustrated: Teco PotteryTeco Pottery, an Illinois-based company, was started in 1885 by William Day Gates.
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Biodegradable UrnsI think a lot about the environmental impact that pottery making has on the earth. Potters make objects that are permanent. Sometimes I have a problem with this, and other times I’m okay with it. We n
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Soft TransitionsI’m captivated by the processes and experiences that are associated with ceramics. The material can exhibit vitality, spontaneity, and tension, all the while being understated. I’m inspired by histori
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Apothecary InspirationI’ve always been interested in the various ways that humans navigate the mysteries of our natural world. Specifically, folklore, ritual, and sympathetic magic based in nature have long inspired my wor
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Short & Stout: An ICAN ExhibitionTeapots are common utilitarian forms made by many studio potters. British potter Seth Cardew regarded teapots as having profound social importance, providing a focus for intimate exchanges between peo
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A Pain in the NeckI love throwing bulbous bottle forms with elegant, narrow necks all in one piece. However, when teaching some of my students, many of them find this form too challenging. I devised this simplified, st
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Contemporary Rustic PlanterEver since I started my journey with clay, I have lived in a rural place. After college I moved to the Smoky Mountains to live with some friends, where I stumbled upon Arrowmont School of Arts and Cra
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