Pottery Making Illustrated Articles (Simple)

  • In the Studio: Insurance for Artists
    Thinking about insurance requires us to think about pessimistic outcomes, so it’s natural to want to avoid the topic. However, for the legal foundation of your business, insurance is critical.
  • Editor's Note: The Sky is the Limit
    When I first discovered ceramics, I quickly became captivated with the process. I loved everything from forming and decorating to the material science and firing. I was even seduced by the parameters
  • In the Potter's Kitchen: Connected Vessels
    Working with multiple forms, either of the same shape or slight variations of the same shape, offers a playful improvisational conversation. Having many instead of few helps remove the preciousness th
  • Pottery Illustrated: Mug Shapes and Handles
    Mug Shapes and Handles Illustrated by Robin Ouellette
  • Making Molds on Location
    I moved to Louisiana in 2002 to attend graduate school at Louisiana State University (LSU) in Baton Rouge. Louisiana is a crazy, wild place, and provided thousands of memorable experiences that helped
  • Handmade Modernism
    About 10 years ago, in graduate school at Southern Illinois University Edwardsville (SIUE), I developed a keen interest in handmade Modernism. To me, this is a concept where decoration or ornamentatio
  • Pinched and Patterned Tumblers
    The collective details of a space can create lasting impressions that evoke memories from a specific time or place in someone’s life. The inventiveness of integrating form and surface in my work is of
  • Mandy Henebry’s Slip and Stencil Decorated Salt-and-Pepper Shakers
    When looking at intriguing pots, we are often caught wondering, how is this made? It is delightful to witness the cleverness and ingenuity of the potter. I have that same feeling of wonder when lookin
  • Bringing a Piece to Life
    Nothing goes together quite like red earthenware clay and underglazes. The richness of the color of the clay paired with the infinite colors of underglaze are the basis for beautiful pieces with endle
  • In the Studio: Modifying Commercial Underglazes
    While there’s a wide range of underglaze colors available, achieving the specific color and surface you want can still be elusive. What if you want a little more color saturation from your underglaze
  • In the Studio: Mixing Casting Slip: Tips and Tricks
    A liquid clay body, also known as casting slip, cannot be made by simply adding an excessive amount of water to dry or wet clay. A dry mudflat is an excellent example of why adding additional water wi
  • In the Studio: Ceramic Jewelry Beads
    Ceramics is being included by some contemporary jewelers as part of a large and varied palette of different non-precious materials. Additionally, many ceramic artists are discovering that the making t
  • In the Studio: Wholesale Tips to Boost Business
    The wholesaler makes money when retailers buy their goods or products directly. Growing wholesale sales may seem easy: All you need to do is sell more products to consumers and businesses and revenue
  • Editor's Note: Renewing Function
    I have a confession. I occasionally find myself struggling with the idea of making more objects for a world that already has too many. I wonder what I could possibly create that the world would need.
  • Pottery Illustrated: Greek Geometric Banding Patterns
    Greek Geometric Banding Patterns Illustrated by Robin Ouellette
  • Making Rice-Paper Transfers
    Probably by now every potter in the world is familiar with Chinese rice-paper transfers. They come in various colors, and there are many beautiful designs available, from flowers to insects to abstrac
  • Saggar Firing with Soluble Salts
    Saggar firing is the method of creating confined atmospheres in a kiln within a container or saggar. Depending on the type of firing, the saggar can be made out of anything from the traditional refrac
  • In the Potter's Kitchen: Traditional Jugware
    Center 4 pounds of clay on the wheel and open the interior quite wide, to about 4–5 inches in diameter (1, 2). Begin pulling straight up until the cylinder is almost twice as tall as you want the fini
  • Functional Mandalas
    My current work is inspired by the complex and gorgeous mandalas found in Eastern religions. Traditional mandala designs are circular and combine complex geometric shapes and patterns that radiate out
  • Illustrated Plates
    Ecology, landscape, and our evolving relationship with the natural world have always been themes I’ve explored in my work. With my illustrated wall plates, I try to capture the beauty and energy of th