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In the Studio: Working with GalleriesAs an artist, you might want to display your artwork at a gallery for an exhibition or on a consignment basis. Few artists sign agreements with the exhibiting gallery, relying on a bond of mutual trus
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In the Studio: Coloring Before the LinesI love decorating pots with floral patterns outlined in sharp black line art. I used to spend hours unclogging trailing tips, stretching sore hands, and worrying about whether this line would be the o
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Editor's Note: Practicing DecisionsI am famous (or maybe notorious is more appropriate) for working on an idea in my sketchbook for so long that at some point, in my head, I feel like I have already made the piece, and I move on to ano
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In the Potter's Kitchen: Working DogsNo more morning tennis, no more afternoon latte pick-me-ups, and less opportunities to peddle my ceramic work. Shelter-in-place requirements and limited gatherings have certainly altered my habitual r
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Pottery Illustrated: Inside OutOne of the most important steps in trimming and finishing a pot is to study the curve or line of its interior thrown form and mimic that shape on the exterior as you remove clay.
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Collaborative Ceramic JewelryCeramic jewelry involves two components, a ceramic piece and a metal finding. Start by creating the ceramic element for the piece of jewelry you wish to make. A good beginning piece for anyone new to
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A Better Butter DishI’ve always loved the butter dish form, perhaps because of what’s hidden inside it. Throughout the years, I have occasionally tried to make butter dishes, but there was always something wrong with the
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A Lotus LessonAs an ancient form of devotion and communication, they carry many meanings. While they are individually ephemeral, as a tradition they have endured for thousands of years. The following morning, the r
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Inspired by NatureAs a fine arts major, I took a wide range of studio and art history classes, but never took a ceramics class. Later, as a graduate student in art education, I took a two-day workshop with Mary Carolyn
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Stenciling on ClayMy creative process proceeds not from form to decoration, but in reverse. I start with the development of a graphic surface pattern, which I create and refine on my computer using Adobe Illustrator.
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Throwing with TemplatesThis technique involves using templates to repeatedly create an even, symmetrical form. In the coil-building exercise, you position the template next to the pot as coils are added, making certain the
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In the Studio: Keeping it CleanI have never felt good about having my clay space in the basement of our home. No matter how much time I spend cleaning up, I am still concerned about clay and chemical dust migrating to the rest of t
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In the Studio: Supersizing Clay BodiesOne of the most important decisions a ceramic artist makes concerns their choice of clay body. Commercial clays sold by pottery suppliers are both convenient and reliable.
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In the Studio: Insurance for ArtistsThinking about insurance requires us to think about pessimistic outcomes, so it’s natural to want to avoid the topic. However, for the legal foundation of your business, insurance is critical.
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Editor's Note: The Sky is the LimitWhen I first discovered ceramics, I quickly became captivated with the process. I loved everything from forming and decorating to the material science and firing. I was even seduced by the parameters
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Pottery Illustrated: Mug Shapes and HandlesMug Shapes and Handles Illustrated by Robin Ouellette
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In the Potter's Kitchen: Connected VesselsWorking with multiple forms, either of the same shape or slight variations of the same shape, offers a playful improvisational conversation. Having many instead of few helps remove the preciousness th
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Handmade ModernismAbout 10 years ago, in graduate school at Southern Illinois University Edwardsville (SIUE), I developed a keen interest in handmade Modernism. To me, this is a concept where decoration or ornamentatio
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Making Molds on LocationI moved to Louisiana in 2002 to attend graduate school at Louisiana State University (LSU) in Baton Rouge. Louisiana is a crazy, wild place, and provided thousands of memorable experiences that helped
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Pinched and Patterned TumblersThe collective details of a space can create lasting impressions that evoke memories from a specific time or place in someone’s life. The inventiveness of integrating form and surface in my work is of
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