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Fake It 'Til You Make It!Many of my friends, some potters but most common folk, have purchased a DSLR camera within the past 10 years. Most have mentioned at some point that they wished they knew how to operate the thing so t -
Pottery Illustrated: Throwing LidsThrowing lids adapted from Functional Ceramics by Robin Hopper. -
Terra Sigillata: Blending BasesI have grown to love terra sigillatas for their versatility in color, sheen, and because they’re a relatively low-tech way to make a ceramic surface. I’m drawn to the waxy surface of the terra sigilla -
In the Potter's Kitchen: The Comforts of HomeThe comforts of home, food, and family are indivisible from one another, and dinners with family and friends bring a refuge of food and good conversation. The experience often starts before most of th -
Editor's Note: Hand (Em)PoweredLetter from the editor. -
Mug ClubI started the Mug Club about a year and a half ago to raise money for my art-school tuition and it rapidly evolved into a key foundation of my budding ceramics business. Besides providing periodic rev -
The Key to Success: Glaze MixingIn a way, glaze calculations and mixing are very much like cooking. Both fields require a good balance between art and science, experience and inspiration, and in both, the results are magical and ver -
Shigaraki SurfacesIn the Fall of 2015 I began testing clay body additives, looking for alternatives to glaze for finishing my ceramic sculptures. During that time, I happened to see an exhibition of Japanese ceramics a -
Pierced Lighthouse LanternsUsed indoors or out, candle lanterns and votives offer soft light and protect the flame from breezes. My lantern design is a twist on the old-school paper lantern project—some of you may remember thos -
Finding Mata OrtizI have been a huge fan of Mata Ortiz pottery ever since I learned of it quite a few years ago through a children’s book about Juan Quezada Celado, one of the first Mata Ortiz potters. When an opportun -
Three Element PlatesFor several years I’ve been making variations of this plate. It’s a set of 3 elements: the plate face, the girdle, and the foot. The plate size and shape are easy to vary. For this wide and only somew -
A House Built for ButterThe butter dish, no matter how elaborately designed, in essence, is an informal form reserved for informal dining. The butter dish is the first pot I touch in the morning for making toast, a daily rit -
Natured Inspired FiringI’m inspired daily by the world around me; my interests range from the microscopic to the celestial. I’m also fascinated with how material, process, and form relate to one another. I explore the co-ex -
Beyond AgatewareI have been working with colored clay for more than 25 years, staying mainly with handbuilt work because I thought throwing colored clays was all about mixed-color agateware. While this work is intere -
In the Potter's Kitchen: Fermentation Pusher DownersI am a lifelong lover of all things pickled. On visits home to see family, a peek in the fridge is rewarded with gallon jars of eggplant, cayenne peppers, green cherry tomatoes, cloves of garlic, and -
Pottery Illustrated: Cups and MugsPottery Illustrated Cups and Mugs -
Accentuating Form with Glaze
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Glimpses of Present Time -
Pottery Illustrated: Lugs -
Redefining the Rim
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