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The Cat's MeowI’ll never forget coming home from an outing to find the butter dish left out on the table with the lid off! The crisp rectangle of butter had been licked into a soft, shallow mound by my cat. Memorie
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Why Use Coils?This process requires you to consider color first, rather than last, as there’s no glaze on the outside of the piece—all the tones come from the clay body. In my work, I’m interested in using two cont
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Too Much is Just Enough!My work is a lot about surface decoration. And a well-crafted canvas to put the pattern on is essential to my creativity. There is something extraordinary with the three dimensions of a pot; the insid
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Pottery Illustrated: Mid-Century Modern PatternsPottery Illustrated drawn Mid-Century Modern Patterns. Drawn by Robin Ouellette.
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In the Studio: Terra Sigillata Line BlendsA multitude of colors can easily be produced by adding colorants to base terra sigillatas. The common practice of creating a glaze line blend applies to terra sigillata as well, but with modifications
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In the Studio: Split RimsWhen I first began throwing pots I gravitated to throwing bowls. One of the challenges I faced was how to make the rim more interesting without sacrificing the bowl’s essential function. After much ex
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In the Studio: Reflective CeramicsI was commissioned to create a large house number plaque for a residence in a dark wooded area. The numbers needed to be reflective for easy detection at night as well as high contrast for the daytime
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Editor's Note: Haptic SurfacesI loved everything about clay and glaze calculation class; discovering how a material’s individual properties can change a glaze.
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In the Studio: Finding Perspective
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In the Studio: Yellow Glazes
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In the Studio: Make Your Own Kiln Setters
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Editor's Note: Tool OCD
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Flat-Top Salt and Pepper Shakers
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Zen Glazing
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All Details Considered
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The Different Uses of Potter's Ribs
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DIY Tools
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Making a Clay Monotype
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In the Potter's Kitchen: Soy Sauce Dispenser
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Pottery Illustrated: Chums, Chucks, Feet
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