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Commercial Glaze Experiments -
Heat Effects on Glaze -
Get Up, Stand Up -
Full-Fire Reduction Faience -
Mingei Mark Making -
The Crystalline Journey -
From Pot to Sketch -
Stoppered Bottles and Decanters -
In the Potter's Kitchen: The Collaborative Plate -
Pottery Illustrated: Bellies and Shoulders -
Pottery Illustrated: Coffee Pots -
In the Potter's Kitchen: Personal Bakers -
Cooking Moroccan at HomeThe tagine, an iconic vessel synonymous with Moroccan cooking, resembles a casserole dish with a distinctively conical lid. -
Small-Batch ProductionOnce you learn more about the process though, you may begin to feel that slip casting is simply one more tool you can use as an artist. I started slip casting so I could produce pieces that could be sold at reasonable prices. -
Water-Etched Watering CanWater etching (covering part of the surface with a resist material, then abrading exposed areas using a wet sponge), is a great technique to add depth and visual interest to a surface while keeping a very clean and simple finish. -
(Un)round After RoundAs a production potter who works for several different pottery shops in Seagrove, North Carolina, I’ve grown accustomed to the mass production of round after round of round pots. -
Ahjoshi Hanbok CanistersI find so much inspiration and pride in the deep pottery traditions within my heritage. Korean culture also provides many other beautiful visual elements, which I love to reinterpret as contemporary pottery forms. -
Faceting Thrown FormsAs a full-time functional potter I try to keep my pots affordable by limiting the amount of time invested in each piece. My primary focus is form, and I often try to make the pots interesting by altering them right on the wheel. -
Bisque Test Trays -
Wheel-Thrown Handles
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