Pottery Making Illustrated Articles (Simple)

  • In the Studio: Risk and Reward
    Making sets is an intriguing challenge that can lead to a wealth of artistic reward. Sets often involve multiple pieces relating specifically to each other and functioning together as a whole. There’s
  • In the Studio: Testing Durability
    If you’re a maker of functional ware to be used with food or drink, it’s important to test the durability of your product. While laboratories exist that will perform a battery of durability tests for
  • Editor's Note: Clay Cliques
    Having just returned from the NCECA (National Council on Education for the Ceramic Arts) conference in Minneapolis, I’m reminded that the clay community is a collection of many small groups.
  • In the Studio: Cone Pack Collective
    Creating requires a combination of solitude as well as breaks from the isolation. A desire to feel connected while working independently during the long winter months of the northern plains brought fo
  • Pottery Illustrated: Finials and Knobs
    Find inspiration in architectural ceramics next time you make functional additions for your pottery. These are ceramic chimney tops produced by The Logan Clay Products Company in Logan, Ohio.
  • In the Potter's Kitchen: Food for Thoughts
    I’m a collector of quotes, many of which uplift, inspire, and remind me of my humanity. Over the years working in clay, I also have toyed with the idea of making ceramic fortune cookies. For this year
  • Storytelling Slide Boxes
    When I make functional work, I consider the positions of everyday use—stacking cups to store on a shelf, drying plates sideways on a rack, showing the bottom of a mug when you drink, etc. My interest
  • Tangible Fiction
    I’ve always been fascinated with the tangible realities of history and the boundless fantasy of science fiction. In my work I attempt to create objects that live in that fictionalized universe where t
  • An Unexpected Canvas
    Handbuilt ceramic objects are an exciting and often unexpected canvas for drawings. Imagery on functional ceramics can have a life that imagery on paper lacks. The narrative can exist in the home, und
  • Creating Subtlety and Complexity
    I strive in my work for clarity, subtlety, and complexity layered with a bit of humor, whimsy, or irony. Slab construction and coiling offer gesture and nuance. Each cup quietly leans, each thimble sl
  • Inlaid Slip Casting
    As an obsessive collector of objects, I’m constantly on the lookout for items with alluring shapes and patterns. In 2014, I found a plate at a dollar shop and was drawn to its thin strips of plastic i
  • Pattern and Social Media
    As a student at Nova Scotia College of Art and Design in the 1990s, I used to photocopy design books from the library stacks—especially patterns by William Morris and his contemporaries. After leaving
  • In the Studio: Cold Connections
    POPJCTs are my most recent body of work and investigate the materiality of objects and identity. From disparate materials, contrary textures, and incompatible forms, POPJCTs are intended to manifest h
  • In the Studio: Know Your Rights
    Until 1990, when the British comedy group Monty Python (whose work included television, film, theater, audio recordings, literature, etc.), won a lawsuit restricting the broadcast of edited programs,
  • In the Studio: Tops and Bottoms
    Inspired by nature’s beauty, the organic forms in my works are an extension of what I see in my every day life. Handbuilding allows me to endlessly expand on my ideas and explore my creativity as a se
  • Editor's Note: Reader Mail
    In the age of digital communication and quick posting to social media, the letter to the editor has become a lost art of critical writing.
  • In the Potter's Kitchen: Custom Condiments
    I grew up in a family of artists. One of the greatest inspirations in life was visiting my grandparents’ house filled with pottery and sculpture. Each piece, made by hand, adorned the kitchen and the
  • Pottery Illustrated: Ceramic Drawer Pulls
    The drawer pull can be any form or shape, as long as it's comfortable and thick enough to allow for the hardware.
  • Adding an Edge
    When planning the shape of the bottle, I often look to historical pots for inspiration while layering in my own personal interests onto the composition. Over time I’ve gravitated toward incorporating
  • Pitcher Perfect
    Designing and making pitchers is both exciting and challenging. There are considerations such as leverage, balance, and the movement of liquids as well as aesthetic concerns. Making a pitcher perfect