Ceramics Monthly Articles (Simple)

  • Jay Kvapil: Brilliance
    Through an exacting and psychological use of striking colors and complex surfaces paired with minimal, flowing form, Kvapil creates objects that are charged, expressive, and dramatic.
  • Mature Whimsy: The Work of Andrew Ludick
    Ludick’s loose, exuberant drawing style and color palette—products of his training in illustration—have led to equally successful series of studio-made ceramics and collaborations with design firms an
  • Julia Galloway: Vessel, Vault, and Sky
    The sky as an inverted bowl, a vast concavity beneath which life plays out moments of triumph, pathos, and the prosaic alike, is an ancient metaphor that is as useful to reflection on the multiple fun
  • Studio Visit: Deborah Schwartzkopf and George Rodriguez, Seattle, Washington
    Starting up a studio in an expensive city like Seattle can be a real challenge. Meet two community-oriented artists who made it happen using innovative tools like Kickstarter and old fashioned hard wo
  • Clay Culture: Clay and Recovery
    Working with clay is empowering. Budding clay artists participating in classes at addiction recovery programs started by Baltimore Clayworks are learning this first hand.
  • Clay Culture: California Gold
    The life and legacy of artist, designer, and business woman, Edith Heath is a legendary tale with a new chapter being added by the creative, and capable, hands of a new generation.
  • Spotlight: Working Collectively
    Kyle and Kelly Phelps are identical twins, ceramic artists, and studio mates. They also create work together, and do so (mostly) harmoniously at that, we might add.
  • Techno File: Why Do Glazes Crawl?
    That time when you opened the kiln and all the pots were speckled with a crawling glaze...here’s why it happened and how to avoid it next time.
  • Tips and Tools: Trimming with a Chuck
    Tall, narrow chucks can make trimming easier because they actually fit inside the pot, saving rims from globs of smashed clay. This technique will make finishing pots a whole lot more fun once you get
  • Exposure: March 2015
    Images from Current and Upcoming Exhibitions
  • Alywn O'Brien: Astride the Bucket
    With her third American show of rolled, coiled, pinched, and cut porcelain, prominent Canadian artist Alwyn O’Brien continued to prove that a container—or bucket, to use her term—can still act as a po
  • From the Editor: March 2015
    Letter From the Editor
  • Ann Mallory: Higher Ground
    Mallory’s large-scale, wheel-thrown, and handbuilt sculptures dominated her recent exhibition at Abmeyer+Wood Fine Art in Seattle, Washington.
  • From the Editor June/July/August 2015
    Working full time as a potter is a dream for a lot of people, and a reality for only some. It's not an easy career path, even if it is a rewarding and creative one.
  • Archive Article: Soda Firing Surfaces
    Check out the recipes and processes from Gail Nichols' book, "Soda, Clay and Fire," that inspired Carolanne Currier.
  • Cone 10 Sculptural Layering Glazes
    Ann Mallory shares recipes for layering glazes that give her sculptural surfaces depth and complexity.
  • Summer Workshop Glazes
    Get ready for summer workshop season by trying out a few shop glazes used in workshop studios around the US and Canada. For more recipes from workshop venues, check out the digital edition of this iss
  • Splash Bowls
    Inspired by Doc Edgerton’s famous action photograph of a splash in motion, Peltz shows how she reinterprets the image to make fluid-like bowls and platters.
  • Second Career: From the FDA to Clay
    After retiring from a career at the Food and Drug Administration, Currier focused full time on an earlier interest in art, and a newfound interest in clay. Her experience with careful, methodical rese
  • Finding Clay: Finding Balance
    Hilton taught environmental science, astronomy, and oceanography for eight years before switching to a career in clay.