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Jay Kvapil: BrillianceThrough an exacting and psychological use of striking colors and complex surfaces paired with minimal, flowing form, Kvapil creates objects that are charged, expressive, and dramatic. -
Mature Whimsy: The Work of Andrew LudickLudick’s loose, exuberant drawing style and color palette—products of his training in illustration—have led to equally successful series of studio-made ceramics and collaborations with design firms an -
Julia Galloway: Vessel, Vault, and SkyThe sky as an inverted bowl, a vast concavity beneath which life plays out moments of triumph, pathos, and the prosaic alike, is an ancient metaphor that is as useful to reflection on the multiple fun -
Studio Visit: Deborah Schwartzkopf and George Rodriguez, Seattle, WashingtonStarting up a studio in an expensive city like Seattle can be a real challenge. Meet two community-oriented artists who made it happen using innovative tools like Kickstarter and old fashioned hard wo -
Clay Culture: Clay and RecoveryWorking with clay is empowering. Budding clay artists participating in classes at addiction recovery programs started by Baltimore Clayworks are learning this first hand. -
Clay Culture: California GoldThe life and legacy of artist, designer, and business woman, Edith Heath is a legendary tale with a new chapter being added by the creative, and capable, hands of a new generation. -
Spotlight: Working CollectivelyKyle and Kelly Phelps are identical twins, ceramic artists, and studio mates. They also create work together, and do so (mostly) harmoniously at that, we might add. -
Techno File: Why Do Glazes Crawl?That time when you opened the kiln and all the pots were speckled with a crawling glaze...here’s why it happened and how to avoid it next time. -
Tips and Tools: Trimming with a ChuckTall, narrow chucks can make trimming easier because they actually fit inside the pot, saving rims from globs of smashed clay. This technique will make finishing pots a whole lot more fun once you get -
Exposure: March 2015Images from Current and Upcoming Exhibitions -
Alywn O'Brien: Astride the BucketWith her third American show of rolled, coiled, pinched, and cut porcelain, prominent Canadian artist Alwyn O’Brien continued to prove that a container—or bucket, to use her term—can still act as a po -
From the Editor: March 2015Letter From the Editor -
Ann Mallory: Higher GroundMallory’s large-scale, wheel-thrown, and handbuilt sculptures dominated her recent exhibition at Abmeyer+Wood Fine Art in Seattle, Washington. -
From the Editor June/July/August 2015Working full time as a potter is a dream for a lot of people, and a reality for only some. It's not an easy career path, even if it is a rewarding and creative one. -
Archive Article: Soda Firing SurfacesCheck out the recipes and processes from Gail Nichols' book, "Soda, Clay and Fire," that inspired Carolanne Currier. -
Cone 10 Sculptural Layering GlazesAnn Mallory shares recipes for layering glazes that give her sculptural surfaces depth and complexity. -
Summer Workshop GlazesGet ready for summer workshop season by trying out a few shop glazes used in workshop studios around the US and Canada. For more recipes from workshop venues, check out the digital edition of this iss -
Splash BowlsInspired by Doc Edgerton’s famous action photograph of a splash in motion, Peltz shows how she reinterprets the image to make fluid-like bowls and platters. -
Second Career: From the FDA to ClayAfter retiring from a career at the Food and Drug Administration, Currier focused full time on an earlier interest in art, and a newfound interest in clay. Her experience with careful, methodical rese -
Finding Clay: Finding BalanceHilton taught environmental science, astronomy, and oceanography for eight years before switching to a career in clay.
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