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Alywn O'Brien: Astride the BucketWith her third American show of rolled, coiled, pinched, and cut porcelain, prominent Canadian artist Alwyn O’Brien continued to prove that a container—or bucket, to use her term—can still act as a po
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From the Editor: March 2015Letter From the Editor
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Ann Mallory: Higher GroundMallory’s large-scale, wheel-thrown, and handbuilt sculptures dominated her recent exhibition at Abmeyer+Wood Fine Art in Seattle, Washington.
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From the Editor June/July/August 2015Working full time as a potter is a dream for a lot of people, and a reality for only some. It's not an easy career path, even if it is a rewarding and creative one.
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Archive Article: Soda Firing SurfacesCheck out the recipes and processes from Gail Nichols' book, "Soda, Clay and Fire," that inspired Carolanne Currier.
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Cone 10 Sculptural Layering GlazesAnn Mallory shares recipes for layering glazes that give her sculptural surfaces depth and complexity.
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Summer Workshop GlazesGet ready for summer workshop season by trying out a few shop glazes used in workshop studios around the US and Canada. For more recipes from workshop venues, check out the digital edition of this iss
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Splash BowlsInspired by Doc Edgerton’s famous action photograph of a splash in motion, Peltz shows how she reinterprets the image to make fluid-like bowls and platters.
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Second Career: From the FDA to ClayAfter retiring from a career at the Food and Drug Administration, Currier focused full time on an earlier interest in art, and a newfound interest in clay. Her experience with careful, methodical rese
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Finding Clay: Finding BalanceHilton taught environmental science, astronomy, and oceanography for eight years before switching to a career in clay.
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Just Beyond Grasp: Chasing a Life in ClayWith the help of an encouraging support system, two exceptional university ceramics departments, two artist residencies, and a desire to follow her heart, DeBuse was able to quit her job in non-profit
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Solving Problems: From Engineering to Studio CeramicsSwitching from a career in environmental engineering to working as a potter was one of the best, and hardest, decisions Aquillano has ever made.
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Studio Visit: Tom Budzak, Tempe, ArizonaConverting his garage into a tidy, well organized, and customized work space has helped Budzak fit more studio time into his ever-changing work schedule.
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Clay Culture: Moh, Please!Pots, food, and friends have always been a good combination. We were recently reminded of this when ceramic artist and cook Sebastian Moh and gallery owner Susie Bowman combined a dinner and dishes ma
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Spotlight: Ordinary and DignifiedAkio Takamori reflects on how size matters and his relationship to the figural form.
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Summer Workshops 2015Ready to learn something new? Plan a summer escape to recharge your creativity with the help of our handy annual summer workshops guide.
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Tips and Tools: Pegboard Easel Tool OrganizerWant to get organized in the studio? Try this easy-to-build pegboard tip to get your tools out of the water bucket and up where you can see them and reach them with ease.
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Techno File: Calcined KaolinIn response to a reader question, we tackle the science behind calcining kaolin. We also add in a few tips about calcining your own materials along with why and how to use them in recipes.
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Anthony Stellaccio: Drink from the RiverA solo exhibition of Stellacccio’s totemic sculptures was recently on view at Du Mois Gallery in New Orleans, Louisiana.
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From the Editor: April 2015We all have clay in common. We find it at different times, sometimes early on, sometimes as a second career, and sometimes as our retirement gig. I have found that artists whose work most intrigues me
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