Ceramics Monthly Articles (Simple)

  • Alywn O'Brien: Astride the Bucket
    With her third American show of rolled, coiled, pinched, and cut porcelain, prominent Canadian artist Alwyn O’Brien continued to prove that a container—or bucket, to use her term—can still act as a po
  • From the Editor: March 2015
    Letter From the Editor
  • Ann Mallory: Higher Ground
    Mallory’s large-scale, wheel-thrown, and handbuilt sculptures dominated her recent exhibition at Abmeyer+Wood Fine Art in Seattle, Washington.
  • From the Editor June/July/August 2015
    Working full time as a potter is a dream for a lot of people, and a reality for only some. It's not an easy career path, even if it is a rewarding and creative one.
  • Archive Article: Soda Firing Surfaces
    Check out the recipes and processes from Gail Nichols' book, "Soda, Clay and Fire," that inspired Carolanne Currier.
  • Cone 10 Sculptural Layering Glazes
    Ann Mallory shares recipes for layering glazes that give her sculptural surfaces depth and complexity.
  • Summer Workshop Glazes
    Get ready for summer workshop season by trying out a few shop glazes used in workshop studios around the US and Canada. For more recipes from workshop venues, check out the digital edition of this iss
  • Splash Bowls
    Inspired by Doc Edgerton’s famous action photograph of a splash in motion, Peltz shows how she reinterprets the image to make fluid-like bowls and platters.
  • Second Career: From the FDA to Clay
    After retiring from a career at the Food and Drug Administration, Currier focused full time on an earlier interest in art, and a newfound interest in clay. Her experience with careful, methodical rese
  • Finding Clay: Finding Balance
    Hilton taught environmental science, astronomy, and oceanography for eight years before switching to a career in clay.
  • Just Beyond Grasp: Chasing a Life in Clay
    With the help of an encouraging support system, two exceptional university ceramics departments, two artist residencies, and a desire to follow her heart, DeBuse was able to quit her job in non-profit
  • Solving Problems: From Engineering to Studio Ceramics
    Switching from a career in environmental engineering to working as a potter was one of the best, and hardest, decisions Aquillano has ever made.
  • Studio Visit: Tom Budzak, Tempe, Arizona
    Converting his garage into a tidy, well organized, and customized work space has helped Budzak fit more studio time into his ever-changing work schedule.
  • Clay Culture: Moh, Please!
    Pots, food, and friends have always been a good combination. We were recently reminded of this when ceramic artist and cook Sebastian Moh and gallery owner Susie Bowman combined a dinner and dishes ma
  • Spotlight: Ordinary and Dignified
    Akio Takamori reflects on how size matters and his relationship to the figural form.
  • Summer Workshops 2015
    Ready to learn something new? Plan a summer escape to recharge your creativity with the help of our handy annual summer workshops guide.
  • Tips and Tools: Pegboard Easel Tool Organizer
    Want to get organized in the studio? Try this easy-to-build pegboard tip to get your tools out of the water bucket and up where you can see them and reach them with ease.
  • Techno File: Calcined Kaolin
    In response to a reader question, we tackle the science behind calcining kaolin. We also add in a few tips about calcining your own materials along with why and how to use them in recipes.
  • Anthony Stellaccio: Drink from the River
    A solo exhibition of Stellacccio’s totemic sculptures was recently on view at Du Mois Gallery in New Orleans, Louisiana.
  • From the Editor: April 2015
    We all have clay in common. We find it at different times, sometimes early on, sometimes as a second career, and sometimes as our retirement gig. I have found that artists whose work most intrigues me