1 Kanjiro Moriyama’s Kai (Turn), 18 in. (37 cm) in height, wheelthrown stoneware, glaze, 2015.2 Masaru Nakada’s Sen (Line), up to 17 in. (44 cm) in height, wheel-thrown porcelain, inlaid glaze, 2014.
Hanwool Artists Association 2015 Exhibition
at Art and Culture Service Center in Jeju City, Jeju Island, South Korea, October 13–18.
1 Kyung Won Baek’s Ellipse 07, 29 in. (74 cm) in length, handbuilt porcelain, wood and soda fired, 2014.2 Sun Mi Kim’s Come as the light, 13 in. (33 cm) in height, ceramic, china paint.3 Yoojoo Kim’s Untitled, 14 in. (36 cm) in length, slip-cast white clay, drawing with water-soluble colorant.4 Dong Hee Suh’s A Ladder in the Dream (Genesis 28), 32 in. (81 cm) in height, ceramic, glaze, fired to cone 04, 2015.
My Blue China
at Bernardaud Foundation (www.bernardaud.fr) in Limoges, France, through November 21.
1 Katsuyo Aoki’s Trolldom, 6 ft. (1.8 m) in height, porcelain, 2015. Photo: Marco Suemasa.2 Kim Joon’s Blue Jean Blues-Easy Rider (detail), 6 ft. 10 in. (2.1 m) in length, 2012.
1 Monika Patuszynska’s Bastards Series up to 13 in. (33 cm) in height, Parian ware, electric fired to 2300°F (1260°C), 2012–13.2 Silke Decker’s Stars Network, ceramic, 2014.
Helena Starcevic
at Five Points Gallery (www.fivepointsgallery.org) in Torrington, Connecticut, October 22–November 21.
1 Helena Starcevic’s Falling Blue, 6 ft. (1.8 m) in height, ceramic.
Barnaby Barford: The Tower of Babel
at Victoria and Albert Museum’s South Kensington’s Medieval and Renaissance Galleries (www.vam.ac.uk) in London, England, through November 1.
1 Barnaby Barford’s The Tower of Babel, bone china, ceramic transfers.
1 Mella Shaw’s Postcard 1, 27½ in. (70 cm) in height, stoneware, porcelain, 2014.2 Mella Shaw’s Postcard 3, 23½ in. (60 cm) in height, stoneware, porcelain, 2014.3 James Rigler’s At Every Fading of the Stars and Ten Columns, from the installation at Tramware, Glasgow, 2015.4 James Rigler’s At Every Fading of the Stars and Ten Columns (detail), from the installation at Tramware, Glasgow, 2015.
1 Roberto Lugo’s We Are All Kings, 21 in. (53 cm) in height, porcelain, china paint, luster, 2014.
Cerámica de Los Ancestros: Central America’s Past Revealed
at the National Museum of the American Indian (www.americanindian.si.edu) in New York, New York, through February 29, 2016.
1 Greater Nicoya tripod vessel in the form of an agouti, pottery, clay slip, paint, Nicoya, Guanacaste Province, Costa Rica, CE 1000–1350. Photo: Ernest Amoroso.
Taboo: Sexuality and Sexual Identity in Ceramics
at Signature Contemporary Craft (www.thesignatureshop.com), in Atlanta, Georgia, through October 31.
1 Lauren Gallaspy’s Vanishing Point, 10 in. (25 cm) in height, porcelain. 2 Kirsten Stingle’s Nibble, 35 in. (88 cm) in height, handbuilt porcelain and stoneware, underglazes, slips, stain, mixed media.
1 Amy Hughes’ Untitled 1, 2½ ft (30 cm) in height, grogged terracotta, 2014. 2 Sam Bakewell’s Imaginationation Dead Imagine, 3 ft. 3 in. (1 m) in length, parian and porcelain, 2009–present. 3 James Rigler’s The Severed Head, 27½ in. (70 cm) in height, glazed earthenware, 2013.
4 Bethan Llyod Worthington’s Constellation (detail), 11 ft. 3 in. (3.44 m) in length, solid-smashed porcelain and brass rods, 2012.5 Bethan Llyod Worthington’s Constellation, 11 ft. 3 in. (3.44 m) in length, solid-smashed porcelain and brass rods, 2012.
Cerámica de Los Ancestros: Central America’s Past Revealed
at the National Museum of the American Indian (www.americanindian.si.edu) in New York, New York, through February 29, 2016.
1 Lempa River vessel depicting the god of fire, pottery, clay slip, San Salvador, El Salvador CE 900–1200. Photo: Ernest Amoroso. 2 Greater Nicoya crocodile jar, pottery, clay, slip, paint, Filadelfia, Guanacaste Province, CE 1000–1350. Photo: Ernest Amoroso.3 Greater Nicoya female figure, pottery, clay slip, paint, Rivas, Nicaragua, CE 800–1350. Photo: Ernest Amoroso.
1 Roberto Lugo’s Latin Kings Teapot, 13 in. (33 cm) in height, porcelain, china paint, 2014. 2 Roberto Lugo’s Bloods Ginger Jar, 1 ft. 9 in. (53 cm) in height, porcelain, china paint, luster, 2013.3 Roberto Lugo’s Bloods Ginger Jar, 1 ft. 9 in. (53 cm) in height, porcelain, china paint, luster, 2013.
My Blue China
at Bernardaud Foundation (www.bernardaud.fr) in Limoges, France, through November 21.
Sin Ying Ho’s Temptation Life of Goods No. 2, 6 ft. 4 in. (1.9 m) in height, porcelain, cobalt pigment, underglaze, decal, glaze, 2010.
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Containment
at The Clay Studio of Missoula (www.theclaystudioofmissoula.org) in Missoula, Montana, October 2–30.
Japan
at Galerie Mouvements Modernes (www.mouvementsmodernes.com) in Paris, France, October 2–31.
Hanwool Artists Association 2015 Exhibition
at Art and Culture Service Center in Jeju City, Jeju Island, South Korea, October 13–18.
My Blue China
at Bernardaud Foundation (www.bernardaud.fr) in Limoges, France, through November 21.
European Craft Summit
at Anciens Abattoirs (www.mons2015.eu/en/world-crafts-council) in Mons, Belgium, October 20, 2015–January 10, 2016.
Helena Starcevic
at Five Points Gallery (www.fivepointsgallery.org) in Torrington, Connecticut, October 22–November 21.
Barnaby Barford: The Tower of Babel
at Victoria and Albert Museum’s South Kensington’s Medieval and Renaissance Galleries (www.vam.ac.uk) in London, England, through November 1.
British Ceramics Biennial
at Stoke-on-Trent, England, (www.britishceramicsbiennial.com) through November 8.
Luxury, Peace, and Pleasure–Swiss Ceramics
at Musées de la Ville de Genève (http://institutions.ville-geneve.ch/fr/ariana) in Geneva, Switzerland, through November 1.
Ghetto Garniture: Wu Tang Worcester
at Ferrin Contemporary (www.ferrincontemporary.com) in North Adams, Massachusetts, through October 12.
Cerámica de Los Ancestros: Central America’s Past Revealed
at the National Museum of the American Indian (www.americanindian.si.edu) in New York, New York, through February 29, 2016.
Taboo: Sexuality and Sexual Identity in Ceramics
at Signature Contemporary Craft (www.thesignatureshop.com), in Atlanta, Georgia, through October 31.
Subscriber Digital Extra Content:
British Ceramics Biennial
at Stoke-on-Trent, England (www.britishceramicsbiennial.com), September 26–November 8, 2015.
Cerámica de Los Ancestros: Central America’s Past Revealed
at the National Museum of the American Indian (www.americanindian.si.edu) in New York, New York, through February 29, 2016.
Ghetto Garniture: Wu Tang Worcester
at Ferrin Contemporary (www.ferrincontemporary.com) in North Adams, Massachusetts, through October 12.
My Blue China
at Bernardaud Foundation (www.bernardaud.fr) in Limoges, France, through November 21.
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