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Call for Entries: June/July/August 2023Information on submitting work for exhibitions, fairs, and festivals. -
Recipes: Go-to GlazesWorking potters Naysan McIlhargey and Corien Ridderikhoff share several recipes for glazes that they make and use in their studio practices. -
Tips and Tools: Data ManagementIn order for materials tests, notes, and test tiles to continue to provide useful information, it’s critical that your findings are organized. Read here to learn about Rhonda Willers’ best practices for record keeping. -
Techno File: Matte to GlossyDo you have a matte glaze that you wish was a bit glossier? Well, it is easier than you think to convert a matte surface to a glossy one, just by adding silica. -
🎧 Review: Migrations: The Heart of Unusual HistoriesRenowned ceramic artists displayed work centered on migration—in all its forms, from that of populations and people to the movement of knowledge—at the Ariana Museum in Geneva, Switzerland. -
🎧 Working Potter: Mayumi YamashitaAfter initially studying textile design in the UK, Mayumi Yamashita realized she wanted to work with materials hands-on and switched her course of study. -
🎧 Working Potter: Corien RidderikhoffOver the course of 45 years, Dutch potter Corien Ridderikhoff has maintained a flexible approach to her career. -
🎧 Working Potter: Naysan McIlhargey, Miami Valley PotteryWorking in themes for each firing of his wood kiln provides Naysan McIlhargey with new challenges and opportunities to explore across hundreds of pots. -
🎧 Working Potter: Maya MachinAfter college, an apprenticeship, mentor relationships, part-time jobs, and a methodical approach to building her business helped Maya Machin to forge her path as a potter. -
Studio Visit: Maria White, Charleston, South CarolinaA craftsman-style bungalow that was turned into an industrial space is home base for Maria White’s studio practice, business, pottery lessons, and community-focused nonprofit. -
Clay Culture: Ballet des PorcelainesHave you heard the story of the prince and princess who must shatter a magician’s spell that transformed the inhabitants of a faraway island into porcelain? Now you can experience this reimagined, allegorical tale exploring Europe’s pursuit of porcelain. -
Quick Tip: Dipping Large FormsDip glazing offers many benefits, but a key disadvantage is the volume of glaze needed to submerge the bisqueware. -
From the Editor: June/July/August 2023Regardless of how much the sale of ceramic work contributes to your income, I hope that the stories shared in this issue shed light on the reality of life as a professional potter while encouraging you to think about what you want to get out of clay. -
Call for Entries: May 2023Information on submitting work for exhibitions, fairs, and festivals. -
Exposure: June/July/August 2023Images from Current and Upcoming Exhibitions -
Exposure: May 2023Images from Current and Upcoming Exhibitions -
Clay Culture: Clay as Soft PowerAn exhibition of Shigaraki ware at the University of Michigan Museum of Art explores the style’s impact on diplomatic relations between the US and Japan after World War II. -
🎧 2023 Emerging Artist: Jon Stein, Cincinnati, OhioGood fortune and happenstance have allowed me to surround myself with a chosen family that truly has my best interests at heart. -
Tips and Tools: Packing SculpturesGive fragile ceramic sculpture its best shot at surviving transit with custom-made supports and two boxes, as outlined in this how-to article. -
Kristina Batiste: Leaving a MarkEfficiency and symbolism are characteristic of Kristina Batiste’s functional ceramics. Her discerning use of line and color refer to time, a juncture, and protest.
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