-
Pottery Illustrated: Brushes and BrushstrokesExcerpted from China Paint and Overglaze, by Paul Lewing, published by the American Ceramic Society.
-
In the Studio: Colored Paper-PorcelainTo achieve my unique surfaces, I add paper to the clay, as its extra-strong, green nature provides ease in joining and drying while allowing me to roll the clay into paper-thin sheets and cut it with scissors.
-
In the Studio: Maker Q&A: Chanakarn "Punch" SemachaiMy artwork celebrates the small things we overlook and embraces individual differences.
-
Editor's Note: WaterEach ceramic artist featured in this issue, which focuses on surface decoration, has contributed a process that employs water in one way or another.
-
Supporters of Pottery Making Illustrated — July/August 2024
-
Pottery Illustrated: Throwing Wheels in HistoryIllustrations of throwing wheels throughout history.
-
In the Potter's Kitchen: Slab-Built Tomato BowlBerry bowls—they’re not just for berries anymore! My berry bowl sits on the kitchen counter year round, usefully cradling such things as cherry tomatoes, shallots, and garlic.
-
Simple Octagonal TumblerAs a potter, one of my favorite things to do is reverse engineer interesting and unique forms and find simple ways to construct them in clay. One such challenge I took was with some old octagonal glass tumblers that I inherited.
-
Frosted VesselsI have been pushing what is possible with piping techniques and thick, frosting-like slip for the last 13 years while making artwork about desire, wealth, and power.
-
Out of the Fireit was a way of working that I strongly identified with, and that I’d found my creative direction.
-
Covered TrayThe covered trays I make are the byproduct of my stubborn need to push processes beyond the obvious in an effort to make complex forms that amuse me.
-
Slip-Cast Wine CupI choose simple forms for my pieces to balance the lavish decorations that adorn them. The subtractive nature of carving combined with the raised slip dots produce a rich, tactile experience that is just as significant as the visual one for the user.
-
Soap DishThis project is my take on what a soap dish should be. It is funky and bizarre, but fun and practical in a weird way.
-
In the Studio: Handmade Tools: Texture BallI’m excited to share with you the handmade tool I use to create all my mug bases.
-
In the Studio: Maker Q&A: Meet Jane WhiteI study hundreds of photos I’ve taken of pots in museums and archaeological sites across the world, and I often find a new form that inspires me that I haven’t made before.
-
In the Studio: Glaze Lab: Making Test TilesOn the surface, my process for making test tiles may seem like a lot of work.
-
Editor's Note: Hands as ToolsIn this issue, we celebrate our love of tools and tool use. We showcase which tools work best for each project and introduce a few new tool hacks.
-
Supporters of Pottery Making Illustrated — May/June 2024
-
An Illustrated Cake StandI typically think of a memory, something that brings me comfort, joy, or makes me laugh, and illustrate it using animal characters.
-
Hanging PlantersIn the development of my hanging planters, I played with the idea of giving function to a hanging sculptural object.
- 1
- 2 (current)
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- »