Years ago it never occurred to me that those persistent cracks pestering my porcelain could actually be a good thing. It wasn’t until I delved deeper into Eastern aesthetics that I made a conceptual leap and those previously annoying cracks were
reintroduced as an integral element in my pieces, and my fascination with kintsugi was born.
From the Pottery Making Illustrated November/December 2016 issue.
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Years ago it never occurred to me that those persistent cracks pestering my porcelain could actually be a good thing. It wasn’t until I delved deeper into Eastern aesthetics that I made a conceptual leap and those previously annoying cracks were reintroduced as an integral element in my pieces, and my fascination with kintsugi was born.
From the Pottery Making Illustrated November/December 2016 issue.
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