Products (Simple)

Since it was first published in 1953, a primary goal of Ceramics Monthly magazine has been to illustrate and explain the technical aspects of ceramic art so that an individual in a studio has a high chance for success. (Scroll down for more!)

More and more, artists are interested in producing work that’s not only beautifully designed and produced, but also environmentally friendly and socially responsible. (Scroll down for more!)

Tableware has occupied a special place in our kitchens and dining rooms for thousands of years, and continues to enchant us today. (Scroll down for more!)

This definitive book on naked raku results from years of studio work, workshop presentations, conversations, and research. (Scroll down for more!)

Ceramic transfer (or decal) printing, provides an exciting creative potential for any ceramic artist. With the up-to-date techniques detailed here, you can transfer pictures, patterns or text onto both two- and three-dimensional forms. (Scroll for more!)

Do you even know any potters who don’t cook? Wouldn’t it be great if there were a pottery design, technique, and glaze recipe book put together with a food recipe book? (Scroll down for more!)

Originally published in 2001, Vince Pitelka’s Clay: A Studio Handbook has been an essential, all-inclusive studio text for students, studio artists, educators and all those interested in the art of clay for years. (Scroll down for more!)

A complete guide to getting a fantastic spectrum of colorful glazes, Linda Bloomfield looks at a full range of materials and options for creating colors in glazes. (Scroll down for more!)

Ceramic vessels come in an enormous variety of shapes, colors and decorative finishes — a fact that contributes to the appeal and excitement of pottery as a medium, while presenting the potter with a bewildering number of choices. (Scroll for more.)

Throwing large work is definitely challenging and takes a different approach than throwing normal-sized pots. (Scroll down for more!)

Working with clay slabs offers more opportunities than any other forming process. From small dishes and plates to architectural installments, slabs can be used to create any form, any size. (Scroll down for more!)

The human figure has been represented in clay throughout history and continues to evolve today. (Scroll down for more!)

In this book, Richard Zakin takes you on a comprehensive journey through the information and ideas of the potter’s craft. (Scroll down for more!)

Fred Olsen is one of the leading pioneers in explaining everything about kilns to the studio potter and his book is one of the best selling references on the topic. (Scroll down for more!)

There are scores of techniques, hundreds of variations and thousands of combinations in ceramics. (Scroll down for more!)

One of the most remarkable things about clay is that you can make most anything from it, and in Ceramic Projects: Forming Techniques dozens of clay artists prove this over and over. (Scroll down for more!)

Body adornment is one of the oldest art forms and throughout history, people all over the world have decorated their bodies in one way or another. (Scroll down for more!)

Making Marks is about enriching the ceramic surface, the processes for doing it, and the concepts, idea development and personal research behind it. (Scroll down for more!)

Functional Pottery has been used by potters around the world and in a great many colleges and universities as required reading. (Scroll down for more!)

The accepted standard for understanding glazes, underglazes, colored clays, and engobes, this book explores glaze and color making in a hands-on way that follows the empirical understanding used for thousands of years. (Scroll down for more!)