Craft foam is a fabulous tool for the clay studio. It can be used as a work surface, as a template for slab-building and much more. Genie Sue Weppner's article in the January/February 2025 issue of Pottery Making Illustrated, opened my eyes to yet another great way to use craft foam in the clay studio.
In this post, Genie Sue explains how to use a ballpoint pen, craft foam, and a slab roller to create hand-drawn texture on slabs. Have a look and then try it for yourself! –Jennier Poellot Harnetty, editor
I love the dynamic effects that glazes make when flowing over texture. I wanted to create my own textures and designs rather than using prefabricated texture tools. I have since discovered craft foam, and I learned to draw on it with a ballpoint pen,
which leaves permanent indentations. The organic fluidity of the line drawings I create in craft foam opened a whole new world of designs and patterns for me to create. When I run the craft foam through a slab roller over the clay, it leaves a raised
impression of the design. The craft foam can be used repeatedly, allowing me to repeat the design on many forms using many different glazing techniques. This new method of making texture led me to experiment with multiple forms of firing. I love the
challenge that raku presents when trying to control the many colors raku glazes can become.
Search the Daily
Published Nov 1, 2023
Craft foam is a fabulous tool for the clay studio. It can be used as a work surface, as a template for slab-building and much more. Genie Sue Weppner's article in the January/February 2025 issue of Pottery Making Illustrated, opened my eyes to yet another great way to use craft foam in the clay studio.
In this post, Genie Sue explains how to use a ballpoint pen, craft foam, and a slab roller to create hand-drawn texture on slabs. Have a look and then try it for yourself! –Jennier Poellot Harnetty, editor
PS. Genie Sue was one of eight winners of Pottery Making Illustrated's latest contest, Extravagance. Each winner has a one-page process article in the January/February 2025 issue of Pottery Making Illustrated. Check them out here! Not a subscriber? Subscribe today!
I love the dynamic effects that glazes make when flowing over texture. I wanted to create my own textures and designs rather than using prefabricated texture tools. I have since discovered craft foam, and I learned to draw on it with a ballpoint pen, which leaves permanent indentations. The organic fluidity of the line drawings I create in craft foam opened a whole new world of designs and patterns for me to create. When I run the craft foam through a slab roller over the clay, it leaves a raised impression of the design. The craft foam can be used repeatedly, allowing me to repeat the design on many forms using many different glazing techniques. This new method of making texture led me to experiment with multiple forms of firing. I love the challenge that raku presents when trying to control the many colors raku glazes can become.
Unfamiliar with any terms in this article? Browse our glossary of pottery terms!
Related Content
Ceramic Artists
Functional Pottery
Ceramic Sculpture
Glaze Chemistry
High Fire Glaze Recipes
Mid-Range Glaze Recipes
Low Fire Glaze Recipes
Ceramic Colorants
Ceramic Glazes and Underglazes
Ceramic Raw Materials
Pottery Clay
Ceramic Decorating Tools
Ceramic Kilns
Making Clay Tools
Wheel Throwing Tools
Electric Kiln Firing
Gas Kiln Firing
Raku Firing
Salt Firing and Soda Firing
Wood Kiln Firing
Ceramic Decorating Techniques
Ceramic Glazing Techniques
Handbuilding Techniques
Making Ceramic Molds
Making Ceramic Tile
Wheel Throwing Techniques