The plate is one of my favorite forms. It’s the stalwart workhorse of the kitchen and a key player on the daily tablescape. The plate, with its wide-open face, is the most direct framework for the food we eat. In many ways, I use my vessels as canvases for bold decoration—coupling quiet forms with gestural, yet decidedly controlled, graphic patterning. Over the years I’ve been refining this patterning to purposefully separate the space of the vessel into places of tension and balance. These spaces are designed to be engaging when the vessel is empty and to work in harmony with the food when plating the meal.
From the Pottery Making Illustrated July/August 2016 issue.
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The plate is one of my favorite forms. It’s the stalwart workhorse of the kitchen and a key player on the daily tablescape. The plate, with its wide-open face, is the most direct framework for the food we eat. In many ways, I use my vessels as canvases for bold decoration—coupling quiet forms with gestural, yet decidedly controlled, graphic patterning. Over the years I’ve been refining this patterning to purposefully separate the space of the vessel into places of tension and balance. These spaces are designed to be engaging when the vessel is empty and to work in harmony with the food when plating the meal.
From the Pottery Making Illustrated July/August 2016 issue.
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