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Are you interested in altering, but afraid to step out of your comfort zone? Do you struggle with throwing larger volumetric pots? In this video, Martina Lantin will teach you how to throw caution to the wind and push the boundaries of your clay body to create exciting new work. Altering thrown pots is an exciting way to create interesting work that stands out from the crowd, but making that first cut into a freshly thrown pot can be a little scary. Martina will help you push aside your fears and you’ll soon discover the fun of deconstructing your work and putting it back together again!

Contents:

Introduction
 Chapter 1 - Pitcher
 Chapter 2 - Vase
 Chapter 3 - Dinner Plates
 Chapter 4 - Cut Rim Bowl
 Chapter 5 - Upside Down Bowl
 Chapter 6 - Decoration
 Conclusion

Gallery

About the Author

Martina Lantin

Martina Lantin was born in Montréal, Canada. Following graduation from Earlham College in Richmond, Indiana, Martina continued to develop her throwing skills through apprenticeships and production potting in both Europe and the United States. She earned her MFA from Nova Scotia College of Art & Design University in 2009. Martina has held residencies at Watershed Center for the Ceramic Arts (Newcastle, ME), Arrowmont School of Arts and Crafts (Gatlinburg, TN), and Baltimore Clayworks. Currently, Martina is Assistant Professor of Ceramics at Alberta College of Art & Design in Calgary, Alberta, Canada. To learn more about Martina Lantin and see more images of her work, please visit www.mlceramics.com.
CLAYflicks Testimonials

“Wow. [The Stroke and The Splash] is such an informative and helpful video. As usual, professional and well thought out demonstrations by Mr. Scott. This video alone is worth the price of my CLAYflicks membership.” -William

“I’m not a total beginner but I learned several techniques that I plan to implement.” -Kathleen

“OMG! This is fantastic! Mel [Griffin], you are such a good teacher and are so fun! I love the gestural impressions around the drawing. Mel’s tips while drawing are so helpful. Thanks, Mel!” -Beverly

“Merci beaucoup pour tout ce partage de techniques et de conseil!!! [Thank you very much for all this sharing of techniques and advice!!!]” -Suarez

“Great. I love it. So much to learn in a short and beautifully presented clip.” -ADI

“These conversational workshops mixed with handling and demonstration were magical to watch and truly inspirational. It’s wonderful that they have been recorded for us to watch via clay flicks. Thank you so much.” -Joanna

“The videos are an excellent way to bring out more creativity that I feel I sometimes lack. Love, love, love watching and learning from such patient teachers in the videos” -anonymous

“Thank you very much for this tutorial. Sam [Scott]’s instructions and considerations are so generous and obviously developed through a lot of experience. I really appreciate how explains the “why” of his various processes.” -Kathleen

“Keep doing them (videos). I can’t get anything like them in Australia and I have learned so much! -LM, Australia

“Whether you are a new potter or a seasoned one, there is information for everyone.” -M

“For me your videos have been extremely valuable! My minor in college was ceramics, but we didn’t learn anything like what I’m getting out of the videos! So keep them coming.” -KLI

“All together charming!” -TG, Arizona

“Worth every penny! Lots of great “small gifts” of technique and details of finishing a piece to make it look professionally done.” -MB, South Carolina

“Keep on doing what you’re doing with encouraging a variety of ceramic artists to share their knowledge via your video productions…and I’ll keep enjoying & adding to my library of your videos. You’re doing great!” -KIB. Washington

“We want more. It’s so good!” -M, France, Cannes

“The level of difficulty in the video was what I expected, and then some. Some was a challenge which is what I wanted. I wanted to learn something completely new and this was the perfect answer.” -KHB, California

“Very inspiring. Techniques were demonstrated clearly. I’ve already incorporated some of them in my work.” -Angela. NY

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