Having a blast with clay means tackling a one-of-a-kind challenge—playing protector for my sculptures against both my own quirks and their fragile nature. Precarious attachments, like handles on sculptures, have been a constant concern during the drying process. Despite my best efforts to secure them using the traditional methods of slipping and scoring, I’ve encountered issues with attachments coming undone.
As I examined a piece with two handles attached precariously—one on the inside and the other on the outer surface, both joined at the top—I recognized the need for a more reliable and adaptable solution. This piece was a bit of a gamble, handbuilt and fragile, requiring reinforced handles that could withstand the drying process. The solution needed to apply gentle, consistent pressure without causing marks and effectively accommodate the clay’s natural shrinkage, allowing the clay to learn to stay securely in place. Thankfully, I had a roll of trusty blue painter’s tape nearby.
Here’s the technique:
1. Cut a strip of painter’s tape and work with the sticky side facing outward.
2. Wrap the tape around the handles, starting from the bottom where they meet the top of the sculpture. Do this during the greenware stage and remember—the sticky side of the tape faces out.
3. To keep proper tension, ensure the tape is snug but not overly tight to avoid leaving marks.
4. Leave the tape in place as the clay dries.
The outcome? This simple yet effective technique provided the solution I sought! The handle stayed securely in place with no issues. Imagine the broader possibilities of applying this technique to other purposes beyond just handles!
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Having a blast with clay means tackling a one-of-a-kind challenge—playing protector for my sculptures against both my own quirks and their fragile nature. Precarious attachments, like handles on sculptures, have been a constant concern during the drying process. Despite my best efforts to secure them using the traditional methods of slipping and scoring, I’ve encountered issues with attachments coming undone.
As I examined a piece with two handles attached precariously—one on the inside and the other on the outer surface, both joined at the top—I recognized the need for a more reliable and adaptable solution. This piece was a bit of a gamble, handbuilt and fragile, requiring reinforced handles that could withstand the drying process. The solution needed to apply gentle, consistent pressure without causing marks and effectively accommodate the clay’s natural shrinkage, allowing the clay to learn to stay securely in place. Thankfully, I had a roll of trusty blue painter’s tape nearby.
Here’s the technique:
1. Cut a strip of painter’s tape and work with the sticky side facing outward.
2. Wrap the tape around the handles, starting from the bottom where they meet the top of the sculpture. Do this during the greenware stage and remember—the sticky side of the tape faces out.
3. To keep proper tension, ensure the tape is snug but not overly tight to avoid leaving marks.
4. Leave the tape in place as the clay dries.
The outcome? This simple yet effective technique provided the solution I sought! The handle stayed securely in place with no issues. Imagine the broader possibilities of applying this technique to other purposes beyond just handles!
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