Keeping plates flat while saving studio space can be a challenge, especially when you’re working on a round of dinner plates. After experimenting with different methods, I found a simple, inexpensive, long-lasting solution: PVC couplings and commercial floor tiles.
First, I tried using foam packaging from kiln shipments to prop up the plates, but it absorbed moisture and eventually smelled. I needed a more durable solution, so I headed to the hardware store and discovered PVC couplings. They don’t absorb water, are easy to clean, come in multiple pre-cut sizes, and can take a beating. You can buy them individually, in multi-packs, or cut your own from full tubes.
I use these couplings to stack bats into small “plate towers” or “Minnesota skyscrapers,” throughout my studio (2). This setup allows air to circulate evenly around each piece, preventing warping caused by uneven drying and freeing up valuable shelf space.
With the Speedball bats I use, the plates will naturally pop off when they are ready to trim. After trimming, the plates are stored on upside-down commercial tiles (1). The tiles’ flat surfaces ensure even support, while the textured backs promote airflow beneath the foot rings. You can expect consistent drying and flat plates every time.
Beyond plate drying, these tiles have proven handy for stacking glazeware, drying handles, and even as workboards for classroom use. They’re sturdy, reusable, and a permanent part of my studio workflow.
If space or uneven drying has been holding you back from making plates, give this setup a try.
We understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.
Please enjoy this complimentary article for the month.
For unlimited access to Ceramics Monthly premium content, please subscribe.
We understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.
Subscribe to Ceramics Monthly
Keeping plates flat while saving studio space can be a challenge, especially when you’re working on a round of dinner plates. After experimenting with different methods, I found a simple, inexpensive, long-lasting solution: PVC couplings and commercial floor tiles.
First, I tried using foam packaging from kiln shipments to prop up the plates, but it absorbed moisture and eventually smelled. I needed a more durable solution, so I headed to the hardware store and discovered PVC couplings. They don’t absorb water, are easy to clean, come in multiple pre-cut sizes, and can take a beating. You can buy them individually, in multi-packs, or cut your own from full tubes.
I use these couplings to stack bats into small “plate towers” or “Minnesota skyscrapers,” throughout my studio (2). This setup allows air to circulate evenly around each piece, preventing warping caused by uneven drying and freeing up valuable shelf space.
With the Speedball bats I use, the plates will naturally pop off when they are ready to trim. After trimming, the plates are stored on upside-down commercial tiles (1). The tiles’ flat surfaces ensure even support, while the textured backs promote airflow beneath the foot rings. You can expect consistent drying and flat plates every time.
Beyond plate drying, these tiles have proven handy for stacking glazeware, drying handles, and even as workboards for classroom use. They’re sturdy, reusable, and a permanent part of my studio workflow.
If space or uneven drying has been holding you back from making plates, give this setup a try.
Follow Swanson on Instagram @livinthedreampottery.
March 2026: Table of Contents
Must-Reads from Ceramics Monthly
Unfamiliar with any terms in this article? Browse our glossary of pottery terms!
Click the cover image to return to the Table of Contents