Shoko Teruyama: Ceramics

at Penland Gallery and Visitors Center (penland.org/gallery) in Penland, North Carolina, through July 7.

1 Shoko Teruyama’s square platter, 12¼ in. (31 cm) in length, handbuilt earthenware, sgraffito, 2018. Photo: Penland Gallery and Visitors Center.
1 Shoko Teruyama’s square platter, 12¼ in. (31 cm) in length, handbuilt earthenware, sgraffito, 2018. Photo: Penland Gallery and Visitors Center.

Butter

at The International Museum of Dinnerware Design (www.dinnerwaremuseum.org) in Ann Arbor, Michigan, through August 25.

1 Undine Brod’s The Butter Host, 2019.
1 Undine Brod’s The Butter Host, 2019.
2 Bill Brouillard’s Machine Age Butter Dish, with butter spreaders by Pam Argentierie, 2019.
2 Bill Brouillard’s Machine Age Butter Dish, with butter spreaders by Pam Argentierie, 2019.
3 Kate Maury’s Lamb O’God, 2019.
3 Kate Maury’s Lamb O’God, 2019.

Fertile Ground: Hilltown 6 and the Asparagus Valley Pottery Trail

at Fuller Craft Museum (https://fullercraft.org) in Brockton, Massachusetts, through June 30.

1 Maya Machin’s vessel, 13 in. (33 cm) in height, wheel-thrown white stoneware, salt glazed, wood fired to cone 10, 2017.
1 Maya Machin’s vessel, 13 in. (33 cm) in height, wheel-thrown white stoneware, salt glazed, wood fired to cone 10, 2017.
2 James Guggina’s vase, 12 in. (30 cm) in height, wheel-thrown stoneware, sgraffito decoration, 2018.
2 James Guggina’s vase, 12 in. (30 cm) in height, wheel-thrown stoneware, sgraffito decoration, 2018.

Insight

at Holter Museum of Art (www.holtermuseum.org) in Helena, Montana, August 2–September 30.

1,
1,
2 Lauren Mayer’s I am the Space Where I am (overall and detail) 10 ft. (3 m) in length, porcelain, stoneware, slip-dipped fabrics, glaze, gas oxidation and reduction fired to cone 10, cutlery, slumped glass, mixed media, 2019. Photo: Easton Green.
2 Lauren Mayer’s I am the Space Where I am (overall and detail) 10 ft. (3 m) in length, porcelain, stoneware, slip-dipped fabrics, glaze, gas oxidation and reduction fired to cone 10, cutlery, slumped glass, mixed media, 2019. Photo: Easton Green.

Resonance

at Baltimore Clayworks (https://baltimoreclayworks.org) in Baltimore, Maryland, June 29–August 24.

1 Jason Piccoli’s Atom, 11 in. (28 cm) in height, porcelain, glaze, 2019.
1 Jason Piccoli’s Atom, 11 in. (28 cm) in height, porcelain, glaze, 2019.

Clay National XIV Nature Reconsidered: Reimagining Our Natural World through Ceramics

at Carbondale Clay Center (www.carbondaleclay.org) in Carbondale, Colorado, August 2–30.

1 John Zimmerman’s Tectonic Regime #3, 22 in. (56 cm) in width, ceramic, glaze, gold luster.
1 John Zimmerman’s Tectonic Regime #3, 22 in. (56 cm) in width, ceramic, glaze, gold luster.
2 Evan Hauser’s Preservation and Use (Yellowstone Falls, Albert Bierstadt, 1881), 15 in. (38 cm) in height, porcelain, digital ceramic print, gold leaf, 2017.
2 Evan Hauser’s Preservation and Use (Yellowstone Falls, Albert Bierstadt, 1881), 15 in. (38 cm) in height, porcelain, digital ceramic print, gold leaf, 2017.
3 Renee Brown’s Rutile, Amethyst Vanadinite, Sheer Quartz, 20 in. (51 cm) in height, handbuilt cone-6 porcelain, wood, acrylic, mixed media, 2019.
3 Renee Brown’s Rutile, Amethyst Vanadinite, Sheer Quartz, 20 in. (51 cm) in height, handbuilt cone-6 porcelain, wood, acrylic, mixed media, 2019.

Making Matters: Fresh Perspectives in Fine Craft

at Peters Valley School of Craft (petersvalley.org) in Layton, New Jersey, June 1–August 18.

1 Tyler Gulden’s teapot, 8 in. (20 cm) in width, wheel-thrown porcelain, flashing slip, salt and soda fired.
1 Tyler Gulden’s teapot, 8 in. (20 cm) in width, wheel-thrown porcelain, flashing slip, salt and soda fired.
2 John Dix’s Stone Bowl, 8 in. (20 cm) in diameter, wood fired.
2 John Dix’s Stone Bowl, 8 in. (20 cm) in diameter, wood fired.
3 Tom Jaszczak’s oval pitcher, 12 in. (30 cm) in height, wheel-thrown and altered red earthenware, slip, underglaze, soda fired to cone 2, 2018.
3 Tom Jaszczak’s oval pitcher, 12 in. (30 cm) in height, wheel-thrown and altered red earthenware, slip, underglaze, soda fired to cone 2, 2018.

Lay Me in a Hot Bed and Try Not to Drown

at Jane Hartsook Gallery at Greenwich House Pottery (www.greenwichhousepottery.org) in New York, New York, through June 14.

1 Joanna Powell’s vase, 10 in. (25 cm) in height, ceramic, 2018.
1 Joanna Powell’s vase, 10 in. (25 cm) in height, ceramic, 2018.

Featured Artist Kristin Pavelka

at Red Lodge Clay Center (www.redlodgeclaycenter.com) in Red Lodge, Montana, August 2–25.

1 Kristin Pavelka’s plates, wheel-thrown and altered earthenware, mishima, fired to cone 4, 2019.
1 Kristin Pavelka’s plates, wheel-thrown and altered earthenware, mishima, fired to cone 4, 2019.

Conversations Between Chaos and Order

at Shanghai Pottery Workshop (www.potteryworkshop.com.cn) in Shanghai, China, June 2–30.

1 Eliza Au’s Rondel, 9 in. (23 cm) in diameter, porcelain.
1 Eliza Au’s Rondel, 9 in. (23 cm) in diameter, porcelain.

Everyday I Think of You

at Red Lodge Clay Center (www.redlodgeclaycenter.com) in Red Lodge, Montana, June 7–30.

1 Pattie Chalmers’ Every Day I Think of You (detail), earthenware, 2018.
1 Pattie Chalmers’ Every Day I Think of You (detail), earthenware, 2018.

Best of 2019

at the Ohio Craft Museum (http://ohiocraft.org) in Columbus, Ohio, through July 28.

1 Kristina Bogdanov’s shino teapot, 5 in. (13 cm) in height, stoneware, shino glaze, fired to cone 6 in reduction.
1 Kristina Bogdanov’s shino teapot, 5 in. (13 cm) in height, stoneware, shino glaze, fired to cone 6 in reduction.
2 Todd Leech’s Growth, 24 in. (61 cm) in height, handbuilt stoneware, glazed, sandblasted.
2 Todd Leech’s Growth, 24 in. (61 cm) in height, handbuilt stoneware, glazed, sandblasted.

The Clay Center of New Orleans Sculpture National

at the Clay Center of New Orleans (www.nolaclay.org) in New Orleans, Louisiana, August 2–31.

1 Emil Yanos’ Column V, 23 in. (58 cm) in height, stoneware.
1 Emil Yanos’ Column V, 23 in. (58 cm) in height, stoneware.
2 Molly Johnson’s Dark Matter, 13 in. (33 cm) in length, wheel-thrown and altered stoneware, 2018.
2 Molly Johnson’s Dark Matter, 13 in. (33 cm) in length, wheel-thrown and altered stoneware, 2018.

Confluence

at Hudson Beach Glass (www.hudsonbeachglass.com) in Beacon, New York, June 8–July 7.

1 Joel Brown’s Structure No. 5, 12 in. (30 cm) in height, handbuilt stoneware, shino glaze, wood fired in a noborigama kiln to cone 11, 2018. Photo: Steve Katz.
1 Joel Brown’s Structure No. 5, 12 in. (30 cm) in height, handbuilt stoneware, shino glaze, wood fired in a noborigama kiln to cone 11, 2018. Photo: Steve Katz.
2 Deborah Heid’s soft bowls, to 11 in. (28 cm) in length, wheel-thrown and altered stoneware, shino glaze, wood fired in an anagama kiln to cone 10, 2018. Photo: Loren Maron.
2 Deborah Heid’s soft bowls, to 11 in. (28 cm) in length, wheel-thrown and altered stoneware, shino glaze, wood fired in an anagama kiln to cone 10, 2018. Photo: Loren Maron.

Helen Beard–Ceramic Showcase

at Craft Centre and Design Gallery Leeds (www.craftcentreleeds.co.uk) in Leeds, United Kingdom, through July 27.

1 Helen Beard’s Saturday Morning Swimming Club, to 3 in. (8 cm) in height, wheel-thrown, hand-painted porcelain, fired to 2246°F (1230°C), 2018. Photo: Michael Harvey.
1 Helen Beard’s Saturday Morning Swimming Club, to 3 in. (8 cm) in height, wheel-thrown, hand-painted porcelain, fired to 2246°F (1230°C), 2018. Photo: Michael Harvey.
2 Helen Beard’s Mercado dos Lavreores, 14 in. (36 cm) in diameter, wheel-thrown, hand-painted porcelain, fired to 2246°F (1230°C), 2017. Photo: Michael Harvey.
2 Helen Beard’s Mercado dos Lavreores, 14 in. (36 cm) in diameter, wheel-thrown, hand-painted porcelain, fired to 2246°F (1230°C), 2017. Photo: Michael Harvey.

Hunter Stamps: Outpouring

at Sherrie Gallerie (www.sherriegallerie.com) in Columbus, Ohio, June 1–July 14.

1 Hunter Stamps’ Velvet Aberration, 14 in. (36 cm) in width, wheel-thrown and altered stoneware, fired to cone 04 in oxidation, 2018. Photo: Mary Rezny.
1 Hunter Stamps’ Velvet Aberration, 14 in. (36 cm) in width, wheel-thrown and altered stoneware, fired to cone 04 in oxidation, 2018. Photo: Mary Rezny.
2 Hunter Stamps’ Vicissitude, 25 in. (64 cm) in width, wheel-thrown and altered stoneware, fired to cone 04 in oxidation, 2019. Photo: Mary Rezny.
2 Hunter Stamps’ Vicissitude, 25 in. (64 cm) in width, wheel-thrown and altered stoneware, fired to cone 04 in oxidation, 2019. Photo: Mary Rezny.

A Fault In My Structure

at Baltimore Clayworks (baltimoreclayworks.org) in Baltimore, Maryland, June 29–August 24.

1 Hannah Pierce’s Spilling It All, 10½ in. (27 cm) in height, earthenware, 2018.
1 Hannah Pierce’s Spilling It All, 10½ in. (27 cm) in height, earthenware, 2018.
2 Hannah Pierce’s Architect Defect, 10 in. (25 cm) in height, earthenware, 2018.
2 Hannah Pierce’s Architect Defect, 10 in. (25 cm) in height, earthenware, 2018.

Guilford Craft Expo 2019

on the Guilford Green (guilfordartcenter.org/expo) in Guilford, Connecticut, July 19–21.

1 Tim Scull’s textured, wheel-thrown vessel, crackle glaze fumed with mineral salts of iron, raku fired.
1 Tim Scull’s textured, wheel-thrown vessel, crackle glaze fumed with mineral salts of iron, raku fired.

 

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