The audio file for this article was produced by the Ceramic Arts Network staff and not read by the author.

Ceramics Monthly: What do you see as the current trends in ceramics, and how do you respond to them? 

Ali Schorman: Currently, many potters are finding ways to integrate 3D printing into their practice. A few years ago, I decided it was worthwhile to get over the learning curve involved in designing and creating 3D-printed prototypes, which I use to make my slip casting molds. Designing a prototype using 3D-modeling software enables me to really hone in on the form I would like, easily scaling the piece to accommodate for shrinkage. Printing out the form allows me to visualize how the piece will look, and changes can be made before constructing the final mold. Clay prototypes are destroyed when making a mold, but 3D-printed prototypes are more durable and can be used to make multiple molds. While learning 3D printing took time and persistence, it has ultimately expanded my practice in meaningful ways. Leaning into this trend has given me the ability to be more intentional about the forms I create and has become an invaluable tool in my studio. 

1 Ali Schorman's Sake set, varied dimensions, slip-cast, hand-carved, and slip-trailed porcelain, fired to cone 6, 2026.

CM: What role does color play in your work? 

AS: Color is paramount in my work. Despite the abundance of patterns and textures in my pieces, color is the first and most enduring impression left upon the viewer. Collectors often choose a piece based first on color—it is the initial point of connection. I tend to use analogous color schemes in my pottery, which leads to a sense of harmony. It is particularly satisfying to see a grouping of pieces together, a rainbow emerging to delight the senses. The convergence of color, pattern, and tactility generates a heightened sensory experience, like a sugar rush for the mind. Joy is central to my work, and color is the energy that brings that intention to life. This is exemplified in my funerary urns; a traditionally somber object transformed into a celebration of life with vibrant hues. 

2 Ali Schorman's Bud vases, 4½ in. (11.4 cm) in width (each), slip-cast, hand-carved, and slip-trailed porcelain, fired to cone 6, 2025.

Learn more at www.alischorman.com or follow on Instagram @ali_schorman

 

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