Hare’s Fur and Oil Spot Glazes
Oil spot and hare’s fur glazes are beautiful and fascinating. In a nutshell, they are high-iron glazes that are applied … Read More
A glaze with slip-clay or earthenware clay contributing the primary flux. Source: Clay: A Studio Handbook
Oil spot and hare’s fur glazes are beautiful and fascinating. In a nutshell, they are high-iron glazes that are applied … Read More
The definition of raku firing (American-style) is “a firing process in which work is removed from the kiln at bright … Read More
Slip casting ceramics is a forming technique that has endless potential. Andrew Gilliatt adds a whole new level of fun … Read More
To create surfaces with depth, it can be helpful to start applying decoration in the greenware stage. Colleen Riley does … Read More
An abundance of free wood ash from summer bonfires led Clausen to explore various ways to use this variable flux … Read More
The late Sandy Vitarelli spent most of her life on tropical islands in the pacific and her pottery reflects that. … Read More
Hitomi Shibata with Takuro Shibata
In Shigaraki, we mass-produced pots for the commercial market. That was not necessarily what we wanted to do, but we … Read More
My work starts with patterns made with slips and glazes. The shape, scale, colors, and textures of my pieces are … Read More
How often are artists mindful of the parameters with which they’re working? Many are not conscious choices and are purely … Read More