Theaster Gates: Black Vessel
Ceramics merge with wood, tar, and found objects to depict a dialog on labor and thought in Theaster Gates’ solo … Read More
In wheel throwing, the act of hand or finger pressure on the clay, resulting in lower moisture content and a denser structure. Lack of compression in bottoms of pots can result in S-cracks. Source: Clay: A Studio Handbook
Ceramics merge with wood, tar, and found objects to depict a dialog on labor and thought in Theaster Gates’ solo … Read More
I have been messing around with crazing as a deliberate decorative effect lately. Though it is technically a glaze defect, … Read More
All potters learn early on in their careers that clay has a memory. Clay memory, or clay particle orientation that … Read More
If you are interested in taking your ceramic art from the tabletop to the wall, but aren’t quite sure what … Read More
It’s Thanksgiving Day here in the United States, and since Thanksgiving usually involves getting together with loved ones and eating … Read More
Tar paper is a great material to use for templates for handbuilding, but Lisa Pedolsky takes this idea one step … Read More
Switching to a porcelain clay body may seem like an easy enough thing to do, but if you’ve ever worked … Read More
Porcelain clay is a clay body that draws in many a potter because of its bright white color, translucency, and … Read More
Working with multiple forms, either of the same shape or slight variations of the same shape, offers a playful improvisational … Read More
Handbuilding with porcelain has a well known problem: it often warps. And when you are doing a lot of beautiful … Read More