When it comes to mold design, there’s more than one way to create a successful form—but not all methods are equal. Whether you're new to plaster mold-making or refining your technique, understanding the impact of different mold configurations
is key to producing high-quality ceramic pieces with minimal post-casting work.
In this post, an excerpt from The Mold-Making Manual, Jonathan Kaplan explores different mold configurations for a tall vase form with a cinched waist. Jonathan breaks down the strengths, drawbacks, and practical applications to help you have more
success with mold making and slip casting! –Jennifer Poellot Harnetty, editor
Mold Design
Picture a vase that is 10 inches in height, with a diameter of 3½ inches at the top and 4½ inches at the bottom, and is cinched in the center. The vase has a flat top and a flat bottom. It can be made a few ways. The simplest
is a mold of four parts: two side pieces with vertical seams, a separate, full-size, mold part that contains the slip reservoir, and a separate, full-size mold part for the bottom.
In another variation, this object can be made in a three-part mold: two side pieces with vertical seams and each side has half of the slip reservoir built into it. The bottom is a full-size separate mold part.
The third configuration has two side pieces with vertical seams each containing half of a slip reservoir. A drop-out spare completes the mold.
A Configuration showing questionable mold design as the seam bisects the bottom surface of the mold.B Configuration with four separate mold parts.
Which of these mold designs makes the most sense? The simplest mold configuration is shown in A. It only requires one spare at the top, and this can be wheel-thrown clay, a plaster turned part, or a round, found object.
Example two requires a turned spare to make a slip reservoir in each side part. It's just a bit more work. Finally, the third design requires turning a drop-out spare, as well as a spare for the top slip reservoir in each side. The third mold configuration
makes most sense to me as I can make the necessary spares, which will result in a less bulky mold, unless the weight of the mold is reduced by cutting the sides off at a 45° angle on a band saw or putting 45° spacers in the mold box for
the set-up. These adjustments require additional work and power tools.
C Configuration with four separate mold parts (disassembled view).D Configuration with three separate mold parts.
A is an example of poor mold design. While this configuration will certainly work, the seam bisects the foot and will require extra trimming. This type of simple solution is often made as you begin your journey into mold and model making.
Nonetheless, this two-part configuration is the easiest way to make a mold.
A much more appropriate solution is using a drop-out spare for the bottom mold part (F, G). Another very workable solution is C, which has two side parts, a separate mold part for the slip reservoir, and a separate part
for the bottom.
Experiencing poor mold design propels us to learn about the better or best way(s) of mold design. While the design in A does have the sensibility of including the slip reservoir in each half of the side pieces, I would consider this mold
to have bad form because this configuration has the parting line bisect the bottom surface of the slip-cast object. This does not mean it doesn't work. This configuration works, it is simple, and is just another way. While I would deter you from
making a mold with such a parting line configuration, I would totally encourage you to develop good mold-making habits from the beginning. I think what is quite pertinent is that, as someone starting out on this plaster journey, it is also important
to both see and understand what the possibilities are, even if they have bad form, or could also be referred to as incorrect design. And maybe better put, questionable mold design.
E Configuration with three separate mold parts (disassembled).F Third choice configuration with two separate mold parts with a drop-out spare.G Third choice configuration with two separate mold parts, with a drop-out spare (disassembled).
Search the Daily
Published Mar 3, 2025
In this post, an excerpt from The Mold-Making Manual, Jonathan Kaplan explores different mold configurations for a tall vase form with a cinched waist. Jonathan breaks down the strengths, drawbacks, and practical applications to help you have more success with mold making and slip casting! –Jennifer Poellot Harnetty, editor
Mold Design
The third configuration has two side pieces with vertical seams each containing half of a slip reservoir. A drop-out spare completes the mold.
Example two requires a turned spare to make a slip reservoir in each side part. It's just a bit more work. Finally, the third design requires turning a drop-out spare, as well as a spare for the top slip reservoir in each side. The third mold configuration makes most sense to me as I can make the necessary spares, which will result in a less bulky mold, unless the weight of the mold is reduced by cutting the sides off at a 45° angle on a band saw or putting 45° spacers in the mold box for the set-up. These adjustments require additional work and power tools.
Experiencing poor mold design propels us to learn about the better or best way(s) of mold design. While the design in A does have the sensibility of including the slip reservoir in each half of the side pieces, I would consider this mold to have bad form because this configuration has the parting line bisect the bottom surface of the slip-cast object. This does not mean it doesn't work. This configuration works, it is simple, and is just another way. While I would deter you from making a mold with such a parting line configuration, I would totally encourage you to develop good mold-making habits from the beginning. I think what is quite pertinent is that, as someone starting out on this plaster journey, it is also important to both see and understand what the possibilities are, even if they have bad form, or could also be referred to as incorrect design. And maybe better put, questionable mold design.
Unfamiliar with any terms in this article? Browse our glossary of pottery terms!
Related Content
Ceramic Artists
Functional Pottery
Ceramic Sculpture
Glaze Chemistry
High Fire Glaze Recipes
Mid-Range Glaze Recipes
Low Fire Glaze Recipes
Ceramic Colorants
Ceramic Glazes and Underglazes
Ceramic Raw Materials
Pottery Clay
Ceramic Decorating Tools
Ceramic Kilns
Making Clay Tools
Wheel Throwing Tools
Electric Kiln Firing
Gas Kiln Firing
Raku Firing
Salt Firing and Soda Firing
Wood Kiln Firing
Ceramic Decorating Techniques
Ceramic Glazing Techniques
Handbuilding Techniques
Making Ceramic Molds
Making Ceramic Tile
Wheel Throwing Techniques