It's a lot of fun to alter wheel-thrown, round forms into angular shapes. I have never had much luck creating sharp corners on wheel-thrown pots—they've always been more subtle squares.
I love the sharpness of Ernest Miller's square boxes in the January 2024 issue of Ceramics Monthly, so I thought I would share how he makes them in today's post. In this excerpt, Ernest shares his tricks for getting nice crisp edges on his boxes. –Jennifer Poellot Harnetty, editor
The thrown-and-altered box has become a form of personal fascination due to its compositional and surface potential. I reference architectural features in the carved feet and knob, utilizing negative space, while experimenting with white-and-black
surface composition. My goal is to establish a dialog between the form and the surface.
Using a stoneware with grog, throw a 5-pound cylinder with a thick curved bottom and the lip folded toward the interior for the lid (1). Use a finger and gently push out four equidistant points while moving up the interior wall.
>Next, use a pair of square bats to alter and compress the cylinder into a square shape (2). Start the process slowly by working alternate corners, making several passes around the cylinder and moving the clay. Measure the diagonal corner distance
for the lid with calipers. At a soft leather hard, refine the box shape using a paddle along with the addition of coils applied to the edges (3). Use a wide trimming tool to shave the exterior and refine the edges (4). Flip the box over. Use a series
of square dowels of various sizes to sketch cuts for the feet. Carve the foot interior then cut the feet with a fettling knife (5).
Using a 2½-pound ball of clay for the lid, throw a thick, shallow bowl to the caliper measurement and mark the four points (6). At the soft leather-hard stage, trim the lid and begin manipulating it by hand into a square, then further refining
it with a paddle (7). Flip the lid over on the box, mark the outer edge, and then cut the lid to fit. Attach a small addition of clay to the top center of the lid. At leather hard, use a fettling knife to cut the knob square and then cut the negative
space (8).
Let the box dry, then bisque fire it. I first dip a quick layer of white bisque slip, then use a pencil to draw a design. Use wax resist to mask the areas you want to remain white. Let the wax thoroughly dry, then brush on the black slip. Bisque fire
a second time, and apply a clear glaze before firing the piece to temperature.
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Published Jan 15, 2024
PS. To learn more about and see more images of Ernest's beautiful work, check out the January 2024 issue of Ceramics Monthly!
The thrown-and-altered box has become a form of personal fascination due to its compositional and surface potential. I reference architectural features in the carved feet and knob, utilizing negative space, while experimenting with white-and-black surface composition. My goal is to establish a dialog between the form and the surface.
Using a stoneware with grog, throw a 5-pound cylinder with a thick curved bottom and the lip folded toward the interior for the lid (1). Use a finger and gently push out four equidistant points while moving up the interior wall.
>Next, use a pair of square bats to alter and compress the cylinder into a square shape (2). Start the process slowly by working alternate corners, making several passes around the cylinder and moving the clay. Measure the diagonal corner distance for the lid with calipers. At a soft leather hard, refine the box shape using a paddle along with the addition of coils applied to the edges (3). Use a wide trimming tool to shave the exterior and refine the edges (4). Flip the box over. Use a series of square dowels of various sizes to sketch cuts for the feet. Carve the foot interior then cut the feet with a fettling knife (5).
Using a 2½-pound ball of clay for the lid, throw a thick, shallow bowl to the caliper measurement and mark the four points (6). At the soft leather-hard stage, trim the lid and begin manipulating it by hand into a square, then further refining it with a paddle (7). Flip the lid over on the box, mark the outer edge, and then cut the lid to fit. Attach a small addition of clay to the top center of the lid. At leather hard, use a fettling knife to cut the knob square and then cut the negative space (8).
Let the box dry, then bisque fire it. I first dip a quick layer of white bisque slip, then use a pencil to draw a design. Use wax resist to mask the areas you want to remain white. Let the wax thoroughly dry, then brush on the black slip. Bisque fire a second time, and apply a clear glaze before firing the piece to temperature.
Unfamiliar with any terms in this article? Browse our glossary of pottery terms!
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