Features in this Issue

Focus: Gallery Guide

As makers, I think we are so lucky to have this cross-over experience, of both understanding how something is created, and understanding the important role that handmade objects play. They make experiences and our environment special, they connect us to others, make us think, and inspire us in the studio.–Jessica Knapp, editor.

on the cover: Trey Hill's Navigating the Decline, 4.5 feet (1.4 m) in height, ceramic, underglaze, metal leaf, powder-coated steel, 2013. Photo: Louis Haybeck.

In This Issue

Meaning and Interaction: Trey Hill's Balancing Act by Katey SchultzA Place of Reflection: Po-Wen Liu by Dr. Elizabeth PerrillAttempting to Learn from a Rock: The Work of Jennie Shanker by Andrea Marquis

Peter Callas' Hot Environment by Anthony MerinoAll Those Plates: Molly Hatch's Physic Garden by Sarah Werthan ButtenweiserThe Onggi Wheel: A Modern Approach to an Ancient Tool by Ronald Shaw

Departments

Exposure
Clay Culture: Collecting Stories by Bill Griffith
Clay Culture: Born Collector by Margaret Carney
Studio Visit: Emily Schroeder Willis, Chicago, Illinois
2015 Gallery Guide
Techno File: Opacifiers by Dave Finkelnburg
Tips and Tools: Glass Crusher by Sherman Hall
Recipes: Trey Hill, Emily Schroeder Willis, and John Britt's glazes
Spotlight: Curating a Connection by Namita Gupta Wiggers