As makers, I think we are so lucky to have this cross-over experience, of both understanding how something is created, and understanding the important role that handmade objects play. They make experiences and our environment special, they connect us
to others, make us think, and inspire us in the studio.–Jessica Knapp, editor.
on the cover: Trey Hill's Navigating the Decline, 4.5 feet (1.4 m) in height, ceramic, underglaze, metal leaf, powder-coated steel, 2013. Photo: Louis Haybeck.
In This Issue
Meaning and Interaction: Trey Hill's Balancing Act by Katey SchultzA Place of Reflection: Po-Wen Liu by Dr. Elizabeth PerrillAttempting to Learn from a Rock: The Work of Jennie Shanker by Andrea Marquis
Peter Callas' Hot Environment by Anthony MerinoAll Those Plates: Molly Hatch's Physic Garden by Sarah Werthan ButtenweiserThe Onggi Wheel: A Modern Approach to an Ancient Tool by Ronald Shaw
Departments
Exposure Clay Culture: Collecting Stories by Bill Griffith Clay Culture: Born Collector by Margaret Carney Studio Visit: Emily Schroeder Willis, Chicago, Illinois 2015 Gallery Guide Techno File: Opacifiers by Dave Finkelnburg
Tips and Tools: Glass Crusher by Sherman Hall Recipes: Trey Hill, Emily Schroeder Willis, and John Britt's glazes Spotlight: Curating a Connection by Namita Gupta Wiggers
