Many artists find themselves overcoming issues far more complex than sagging plates, and the creative process that is wrapped up in material, form, and technique is at the center of this kind of problem solving. —Sherman Hall, Editor
On the cover: Axis, 36 in. (92 cm) in height, cone 6 slip-cast stoneware, 2011, by Eliza Au, British Columbia, Canada. Photo: David Stevenson.
In This Issue
Doug Jeck: Early Works, reviewed by Matthew KangasEliza Au: The Beauty of Order by Amy GogartyAtmospheric-like Effects for Electric Firing by Steven Hill
Annabeth Rosen: Fictions of Stability, Reviewed by Kathleen WhitneyInternational Ceramics Competition Mino, in Mino, Japan, reviewed by Naomi Tsukamoto
Departments
Letters Exposure Clay Culture: Mashiko Revisited by John Baymore Clay Culture: Semper Fidelis by Tom Hubbard Clay Culture: Eva Zeisel, 1906–2011 by Margaret Carney Studio Visit: Kenji Uranishi, Brisbane, Queensland,
Australia
Tips and Tools Techno File: Castable Refractory by John Britt Spotlight: Fragile Function by Boaz and Mey Kahn, StudioKahn
