Features in this Issue

Focus: Breaking Molds, Breaking Boundaries

Many artists find themselves overcoming issues far more complex than sagging plates, and the creative process that is wrapped up in material, form, and technique is at the center of this kind of problem solving. —Sherman Hall, Editor

On the cover: Axis, 36 in. (92 cm) in height, cone 6 slip-cast stoneware, 2011, by Eliza Au, British Columbia, Canada. Photo: David Stevenson.

In This Issue

Doug Jeck: Early Works, reviewed by Matthew KangasEliza Au: The Beauty of Order by Amy GogartyAtmospheric-like Effects for Electric Firing by Steven Hill

Annabeth Rosen: Fictions of Stability, Reviewed by Kathleen WhitneyInternational Ceramics Competition Mino, in Mino, Japan, reviewed by Naomi Tsukamoto

Departments

Letters
Exposure
Clay Culture: Mashiko Revisited by John Baymore
Clay Culture:  Semper Fidelis by Tom Hubbard
Clay Culture: Eva Zeisel, 1906–2011 by Margaret Carney
Studio Visit: Kenji Uranishi, Brisbane, Queensland, Australia
Tips and Tools
Techno File: Castable Refractory by John Britt
Spotlight: Fragile Function by Boaz and Mey Kahn, StudioKahn