We do a lot of thinking about and talking about the romantic side of being a potter—even those of us who are professional potters must reflect from time to time on how their days just don’t seem to reflect that same rosy story that was the
original motivation for working in clay. —Sherman Hall, Editor
On the cover: Place setting, to 10½ in. (27 cm) in diameter, wheel-thrown porcelain with trailed and brushed glazes, by Free Ceramics (Emily Free Wilson, Matt Wilson, and Bobby Free), Helena, Montana.
In This Issue
Techno File: Glaze Unity Formula by Tina GebhartClay Culture: Kilns of Mashiko by Naomi TsukamotoClay Culture: Selling Mingei by Holly Goring
Studio Visit: Adam Field and Heesoo Lee Durango, Colorado. Photo credit: Scott D.W. Smith.Working Potters: Free Ceramics, Helena, MontanaWorking Potters: Ryan Greenheck, Philadelphia, Pennsylvania
Working Potters: Woody Hughes, Bethel, MaineWorking Potters: Fritz Rossmann, Höhr-Grenzhausen, GermanyWorking Potters: Michael Kline, Bakersville, North Carolina
The Hourly Earnings Project: A Working Potter Spends a Year With a Stopwatch and a Calculator by Mea RheeKjell Rylander: The Anthropic Aura by Glen R. BrownGlaze: The Colorful World of Majolica by Linda Arbuckle
