Features in this Issue

Focus: Working Potters

Are you good at making tough decisions, setting priorities and sticking to them, working six to seven days a week, keeping your overhead low, living frugally, and sticking to deadlines? Then you should become a professional potter. Oh, by the way, you also must be really good at making really good pots—lots of them. You may be surprised to know that there are quite a few people who fit this description, and we’re featuring six of them in this issue.—Sherman Hall, Editor

On the cover: Daisy plates and trays, to 6 in. (15 cm) in length, press-molded earthenware with colored clay slips, 2009, by Victoria Christen, Portland, Oregon.

In This Issue

Working PottersText and Context: Stephanie DeArmond’s Letterforms by Molly HatchYasuhisa Kohyama: Shigaraki Icon by Kelvin Bradford

Kristen Morgin by Catherine WagleyNancy Sweezy, 1921–2010 by Pam OwensStudio Visit: Mike Jabbur, Santa Fe, New Mexico

Working Potters: Victoria Christen Portland, Oregon; Stanley Mace Andersen Bakersville, North Carolina; Charity Davis-Woodard Edwardsville, Illinois; Sequoia Miller Olympia, Washington; Joanna Howells Tythegston, Bridgend, Wales; Mark Skudlarek Cambridge, Wisconsin